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	<title>Contrabass Conversations &#187; Barrie Kolstein</title>
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		<title>CBC 72: Barrie Kolstein interview 2</title>
		<link>http://contrabassconversations.com/2008/03/29/cbc-72-barrie-kolstein-interview-2/</link>
		<comments>http://contrabassconversations.com/2008/03/29/cbc-72-barrie-kolstein-interview-2/#comments</comments>
		<pubDate>Sat, 29 Mar 2008 13:22:56 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Barrie Kolstein]]></category>
		<category><![CDATA[John Grillo]]></category>
		<category><![CDATA[Luthiers]]></category>

		<guid isPermaLink="false">http://contrabassconversations.com/2008/03/29/cbc-72-barrie-kolstein-interview-2/</guid>
		<description><![CDATA[We’re wrapping up our chat with Barrie Kolstein this week on the Contrabass Conversations show. We began this interview on episode 70 of the program, and in it we discussed Barrie&#8217;s father Samuel Kolstein and how he got into the bow making business, the progression into the bass making business, and the development of the [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://doublebassblog.org/images/posts/bkolstein.gif" align="right" />We’re wrapping up our chat with Barrie Kolstein this week on the Contrabass Conversations show.  We began this interview on <a href="http://contrabassconversations.com/2008/03/15/cbc-70-barrie-kolstein-interview/">episode 70</a> of the program, and in it we discussed Barrie&#8217;s father Samuel Kolstein and how he got into the bow making business, the progression into the bass making business, and the development of the Kolstein line of products (including rosin, stings, and cases) that bassists worldwide use today.</p>
<p>Barrie discusses Kolstein rosin, challenges facing modern double bass retailers and luthiers, advice on buying a double bass, and how the business has changed in the past few decades.  Visit the Kolstein shop online at <a href="http://www.kolstein.com">www.kolstein.com</a>, and check out our co-host John online at <a href="http://www.classicalmusicnews.tv">www.classicalmusicnews.tv</a>. Enjoy!</p>
<p><span id="more-125"></span></p>
<p><strong>About Barrie Kolstein:</strong></p>
<dl>
<dt>1967-1971 <a href="http://contrabassconversations.com/wp-content/uploads/2008/03/kolstein-basses.jpg"><img src="http://contrabassconversations.com/wp-content/uploads/2008/03/kolstein-basses-thumb.jpg" alt="Kolstein basses" align="right" border="0" height="366" width="63" /></a> </dt>
<dd>State University of New York at Albany<br />
Obtained a Bachelors of Science Degree in Business Administration and Marketing. </dd>
<dt>1967-1973 </dt>
<dd>Formally studied the Double Bass under the pedagogues: Frederick Zimmermann, Assistant Principal of the New York Philharmonic; Orin O’Brien, New York Philharmonic; Georges Andre, Metropolitan Opera; Robert Gladstone, Principal Bassist Detroit Symphony; Samuel Hollingsworth, Principal Bassist Pittsburgh Symphony Orchestra; David Holland, renowned Jazz artist. </dd>
<dt>1971-1974 </dt>
<dd>Served in formal apprenticeship for instrument and bow restoration, construction and appraisals, under the expert auspices of renowned violin and bow maker, restorer, and appraiser, Samuel Kolstein. </dd>
<dt>1974-1978 </dt>
<dd>Served as staff instrument and bow restorer as well as making numerous new violin and celli with Samuel Kolstein. </dd>
<dt>1979 </dt>
<dd>Promoted to head violin master in the shop of Samuel Kolstein. </dd>
<dt>1981 </dt>
<dd>Assumed full business responsibilities for operating all aspects of Samuel Kolstein &amp; Son, Ltd. and Kolstein Music, Inc. </dd>
<dt>1981 to present </dt>
<dd>Head violin maker, restorer, and appraiser with a staff of nine violin makers working under his supervision. </dd>
</dl>
<p>Published numerous technical articles on restoration and appraisals in the <em>International Society of Bassists</em> with feature article published in the <em>Strad</em>, February 1991; presently editor of the “Luthier Corner” in the <em>International Society of Bassists</em> magazine restoration and repair forum; published regularly in the <em>Double Bassist</em> magazine and the <em>Strad</em> magazine, both of London, England, since 1996. These articles have ranged form interviews with makers and performers, technical articles on repair/making, and expert appraisal articles on historic master makers; featured in the violinmaking segment of Robin Lehman’s documentary, <em>Young Peoples Guide to the Orchestra</em>; contacted to appear in the upcoming educational video on “Careers in Music”. On the expert appraisers staff of Art Conservation fine arts adjusters as a String Instrument and Bow Expert.</p>
<p>Barrie Kolstein has completed well over one hundred instruments (Violin, Viola, Cello and Bass Violins) utilized by renowned players including Jeffrey Turner, Pittsburgh Symphony; Robert Gladstone, Detroit Symphony; James Van Demark, Professor of Double Bass Eastman School of Music and world famous soloist; Charles Urbont, Metropolitan Opera; James Clute, Minnesota Symphony Orchestra; David Sheets, Baltimore Symphony Orchestra; Lou Norton, New York Philharmonic; Caitlyn Kamanga, Hong Kong Philharmonic;, Scott Haig, Assistant Principal Bassist, Cleveland Orchestra; Hienrich Joachim, renowned soloist and former member of the New York Philharmonic; Lew Norton, New York Philharmonic; Barbara Yendell, Hong Kong Philharmonic, to name a few! Mr. Kolstein is a member of:</p>
<ul>
<li>Appraisers Association of America, 1994 to present</li>
<li>International Society of Bassists, 1979 &#8211; present</li>
<li>Violin Society of America, 1980 &#8211; present</li>
<li>Viola Congress, 1983 &#8211; present</li>
<li>Cello Congress, 1982 &#8211; present</li>
</ul>
<p>Listed in <em>The Violin Makers of the United States</em>, by Thomas J. Wenberg, Mount Hood Publishing Company, 1986.</p>
<p>Learn more about the Kolstein shop at <a href="http://www.kolstein.com">www.kolstein.com</a></p>
<p><strong>Music Provided by:</strong></p>
<ul>
<li>Eric Hochberg &#8211; <a href="http://www.erichochberg.com">www.erichochberg.com</a></li>
</ul>
<p>Special thanks to Daniel Chmielinski for technical assistance &#8211; <a href="http://www.carsleuth.net">www.carsleuth.net</a></p>
<p><strong>Show Notes:</strong></p>
<p><a href="http://www.kolstein.com">www.kolstein.com</a> &#8211; Kolstein Music, Inc. &#8211; Kolstein &amp; Son, Ltd<br />
<a href="http://www.musicfreight.com">www.musicfreight.com</a> &#8211; shipping and musical instrument transport company recommended by Barrie &#8211; run by musicians for musicians!<br />
Highly Recommended</p>
<p><a href="http://www.facebook.com/s.php?k=100000080&amp;id=680155599">Andrew Chilcote</a> (New England Conservatory) wrote<br />
<small>at 5:40pm on March 4th, 2008</small></p>
<p><strong>douglas mapp</strong> makes transcriptions into orchestral/solo tuning of most of the standard repertoire (including the hindemith sonata). There isn&#8217;t a midi file of it, but there is a transposed piano part to orchestral tuning<br />
<a href="http://www.douglasmappmusic.com/display_transcriptions.php">http://www.douglasmappmusic.com/display_transcriptions.php</a></p>
<p><strong>Ira Gold,</strong> a member of the <a href="http://kennedy-center.org/nso/">National Symphony</a> bass section and a <a href="http://contrabassconversations.com/?cat=11">previous guest</a> on the <a href="http://contrabassconversations.com/?cat=11">Contrabass Conversations podcast</a>, is now on faculty at the Catholic University of America’s Benjamin T. Rome School of Music in Washington, D.C.</p>
<p>The school is accepting late applicants for Fall of ‘08. If interested, students can either view information at <a href="http://music.cua.edu/">music.cua.edu</a> or contact Ira directly at <a href="mailto:irajgold@gmail.com">irajgold@gmail.com</a>. The school offers Bachelor, Master, and Doctorate degrees and also students have the option of being enrolled part time.</p>
<p>Catholic also welcomes videotapes, DVD’s and CD’s for applicants should they not be able to come to a live audition in the next month or so on such short notice. Contact Ira for more information or visit the website at the above URL.</p>
<p>____________</p>
<p>Release Date: 3/29/08</p>
<p>Length: 68:46</p>
<p>listen by phone: +1 (360) 227-5632</p>
<p>call our comment line (24 hour voice mail): +1 (206) 666-6509</p>
<p>Website: <a href="http://www.contrabassconversations.com/">www.contrabassconversations.com</a></p>
<p>E-mail: <a href="mailto:feedback@contrabassconversations.com">feedback@contrabassconversations.com</a></p>
<p>Blog: <a href="http://www.doublebassblog.org/">www.doublebassblog.org</a></p>
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<p>Facebook: <a href="http://www.facebook.com/group.php?gid=17621298264">www.facebook.com/group.php?gid=17621298264</a></p>
<p>Theme song by Eric Hochberg: <a href="http://www.erichochberg.com/">www.erichochberg.com</a></p>
<p>This show is brought to you by <a href="http://talkbass.com/">TalkBass.com</a>, the largest community of bassists on the Internet. Join in the conversation at <a href="http://talkbass.com/cbc">talkbass.com/cbc</a>.</p>
<p>Check out our jazz forums at <a href="http://jazzdoublebass.com/">JazzDoubleBass.com</a>.</p>
<p>Join our <a href="http://www.facebook.com/group.php?gid=17621298264">Facebook group</a> and share videos, chat on discussion boards, leave ideas for the show, and interact with other bassists!</p>
<p>To get Contrabass Conversations downloaded automatically to your computer (for free!), you can <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=211054543">subscribe in iTunes</a>: <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=211054543"><img src="http://jasonheathbasspage.googlepages.com/iTunes_1click.gif" title="Subscribe to Contrabass Conversations in iTunes" border="0" /> </a></p>
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]]></content:encoded>
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		<slash:comments>0</slash:comments>
		<enclosure url="http://media.libsyn.com/media/contrabassconversations/CBC_72.mp3" length="1" type="audio/mpeg"/>
<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Wersquo;re wrapping up our chat with Barrie Kolstein this week on the Contrabass Conversations show.  We began this interview on episode 70 of the ...</itunes:subtitle>
		<itunes:summary>Wersquo;re wrapping up our chat with Barrie Kolstein this week on the Contrabass Conversations show.  We began this interview on episode 70 of the program, and in it we discussed Barrie's father Samuel Kolstein and how he got into the bow making business, the progression into the bass making business, and the development of the Kolstein line of products (including rosin, stings, and cases) that bassists worldwide use today.

Barrie discusses Kolstein rosin, challenges facing modern double bass retailers and luthiers, advice on buying a double bass, and how the business has changed in the past few decades.  Visit the Kolstein shop online at www.kolstein.com, and check out our co-host John online at www.classicalmusicnews.tv. Enjoy!



About Barrie Kolstein:

 1967-1971  State University of New York at Albany
Obtained a Bachelors of Science Degree in Business Administration and Marketing. 1967-1973 Formally studied the Double Bass under the pedagogues: Frederick Zimmermann, Assistant Principal of the New York Philharmonic; Orin Orsquo;Brien, New York Philharmonic; Georges Andre, Metropolitan Opera; Robert Gladstone, Principal Bassist Detroit Symphony; Samuel Hollingsworth, Principal Bassist Pittsburgh Symphony Orchestra; David Holland, renowned Jazz artist. 1971-1974 Served in formal apprenticeship for instrument and bow restoration, construction and appraisals, under the expert auspices of renowned violin and bow maker, restorer, and appraiser, Samuel Kolstein. 1974-1978 Served as staff instrument and bow restorer as well as making numerous new violin and celli with Samuel Kolstein. 1979 Promoted to head violin master in the shop of Samuel Kolstein. 1981 Assumed full business responsibilities for operating all aspects of Samuel Kolstein #38; Son, Ltd. and Kolstein Music, Inc. 1981 to present Head violin maker, restorer, and appraiser with a staff of nine violin makers working under his supervision.               Published numerous technical articles on restoration and appraisals in the International Society of Bassists with feature article published in the Strad, February 1991; presently editor of the ldquo;Luthier Cornerrdquo; in the International Society of Bassists magazine restoration and repair forum; published regularly in the Double Bassist magazine and the Strad magazine, both of London, England, since 1996. These articles have ranged form interviews with makers and performers, technical articles on repair/making, and expert appraisal articles on historic master makers; featured in the violinmaking segment of Robin Lehmanrsquo;s documentary, Young Peoples Guide to the Orchestra; contacted to appear in the upcoming educational video on ldquo;Careers in Musicrdquo;. On the expert appraisers staff of Art Conservation fine arts adjusters as a String Instrument and Bow Expert.

Barrie Kolstein has completed well over one hundred instruments (Violin, Viola, Cello and Bass Violins) utilized by renowned players including Jeffrey Turner, Pittsburgh Symphony; Robert Gladstone, Detroit Symphony; James Van Demark, Professor of Double Bass Eastman School of Music and world famous soloist; Charles Urbont, Metropolitan Opera; James Clute, Minnesota Symphony Orchestra; David Sheets, Baltimore Symphony Orchestra; Lou Norton, New York Philharmonic; Caitlyn Kamanga, Hong Kong Philharmonic;, Scott Haig, Assistant Principal Bassist, Cleveland Orchestra; Hienrich Joachim, renowned soloist and former member of the New York Philharmonic; Lew Norton, New York Philharmonic; Barbara Yendell, Hong Kong Philharmonic, to name a few! Mr. Kolstein is a member of:

	Appraisers Association of America, 1994 to present
	International Society of Bassists, 1979 - present
	Violin Society of America, 1980 - present
	Viola Congress, 1983 - present
	Cello Congress, 1982 - present

Listed in The Violin Makers of the United States, by Thomas J. Wenberg, Mount Hood Publishing Company, 1986.

Learn more about the Kolstein shop at www.kolstei...</itunes:summary>
		<itunes:keywords>Barrie,Kolstein,,John,Grillo,,Luthiers</itunes:keywords>
		<itunes:author>jsh177@yahoo.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
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		<item>
		<title>CBC 70: Barrie Kolstein interview</title>
		<link>http://contrabassconversations.com/2008/03/15/cbc-70-barrie-kolstein-interview/</link>
		<comments>http://contrabassconversations.com/2008/03/15/cbc-70-barrie-kolstein-interview/#comments</comments>
		<pubDate>Sat, 15 Mar 2008 11:00:42 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Barrie Kolstein]]></category>
		<category><![CDATA[Luthiers]]></category>

		<guid isPermaLink="false">http://contrabassconversations.com/2008/03/15/cbc-70-barrie-kolstein-interview/</guid>
		<description><![CDATA[This week, we&#8217;re featuring Barrie Kolstein on the Contrabass Conversations show. Barrie discusses his father Samuel Kolstein and how he got into the bow making business, the progression into the bass making business, and the development of the Kolstein line of products (including rosin, stings, and cases) that bassists worldwide use today. Barrie is a [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://doublebassblog.org/images/posts/bkolstein.gif" align="right" />This week, we&#8217;re featuring Barrie Kolstein on the Contrabass Conversations show.    Barrie discusses his father Samuel Kolstein and how he got into the bow making business, the progression into the bass making business, and the development of the Kolstein line of products (including rosin, stings, and cases) that bassists worldwide use today.</p>
<p>Barrie is a perceptive and extremely knowledgeable figure in the double bass community, and it was a real pleasure to do this interview. John, Barrie, and I actually chatted for a couple of hours, and it is all excellent content, so I’ll be breaking this interview into two hour-long segments, and you’ll be hearing the first half today. Visit the Kolstein shop online at <a href="http://www.kolstein.com">www.kolstein.com</a>, and check out our co-host John online at <a href="http://www.classicalmusicnews.tv">www.classicalmusicnews.tv</a>.  Enjoy!</p>
<p><span id="more-123"></span></p>
<p><strong>About Barrie Kolstein:</strong></p>
<dl>
<dt>1967-1971  <a href="http://contrabassconversations.com/wp-content/uploads/2008/03/kolstein-basses.jpg"><img src="http://contrabassconversations.com/wp-content/uploads/2008/03/kolstein-basses-thumb.jpg" style="border-width: 0px" alt="Kolstein basses" align="right" border="0" height="366" width="63" /></a> </dt>
<dd>State University of New York at Albany<br />
Obtained a Bachelors of Science Degree in Business Administration and Marketing. </dd>
<dt>1967-1973 </dt>
<dd>Formally studied the Double Bass under the pedagogues: Frederick Zimmermann, Assistant Principal of the New York Philharmonic; Orin O’Brien, New York Philharmonic; Georges Andre, Metropolitan Opera; Robert Gladstone, Principal Bassist Detroit Symphony; Samuel Hollingsworth, Principal Bassist Pittsburgh Symphony Orchestra; David Holland, renowned Jazz artist. </dd>
<dt>1971-1974 </dt>
<dd>Served in formal apprenticeship for instrument and bow restoration, construction and appraisals, under the expert auspices of renowned violin and bow maker, restorer, and appraiser, Samuel Kolstein. </dd>
<dt>1974-1978 </dt>
<dd>Served as staff instrument and bow restorer as well as making numerous new violin and celli with Samuel Kolstein. </dd>
<dt>1979 </dt>
<dd>Promoted to head violin master in the shop of Samuel Kolstein. </dd>
<dt>1981 </dt>
<dd>Assumed full business responsibilities for operating all aspects of Samuel Kolstein &amp; Son, Ltd. and Kolstein Music, Inc. </dd>
<dt>1981 to present </dt>
<dd>Head violin maker, restorer, and appraiser with a staff of nine violin makers working under his supervision. </dd>
</dl>
<p>Published numerous technical articles on restoration and appraisals in the <em>International Society of Bassists</em> with feature article published in the <em>Strad</em>, February 1991; presently editor of the “Luthier Corner” in the <em>International Society of Bassists</em> magazine restoration and repair forum; published regularly in the <em>Double Bassist</em> magazine and the <em>Strad</em> magazine, both of London, England, since 1996. These articles have ranged form interviews with makers and performers, technical articles on repair/making, and expert appraisal articles on historic master makers; featured in the violinmaking segment of Robin Lehman’s documentary, <em>Young Peoples Guide to the Orchestra</em>; contacted to appear in the upcoming educational video on “Careers in Music”. On the expert appraisers staff of Art Conservation fine arts adjusters as a String Instrument and Bow Expert.</p>
<p>Barrie Kolstein has completed well over one hundred instruments (Violin, Viola, Cello and Bass Violins) utilized by renowned players including Jeffrey Turner, Pittsburgh Symphony; Robert Gladstone, Detroit Symphony; James Van Demark, Professor of Double Bass Eastman School of Music and world famous soloist; Charles Urbont, Metropolitan Opera; James Clute, Minnesota Symphony Orchestra; David Sheets, Baltimore Symphony Orchestra; Lou Norton, New York Philharmonic; Caitlyn Kamanga, Hong Kong Philharmonic;, Scott Haig, Assistant Principal Bassist, Cleveland Orchestra; Hienrich Joachim, renowned soloist and former member of the New York Philharmonic; Lew Norton, New York Philharmonic; Barbara Yendell, Hong Kong Philharmonic, to name a few! Mr. Kolstein is a member of:</p>
<ul>
<li>Appraisers Association of America, 1994 to present</li>
<li>International Society of Bassists, 1979 &#8211; present</li>
<li>Violin Society of America, 1980 &#8211; present</li>
<li>Viola Congress, 1983 &#8211; present</li>
<li>Cello Congress, 1982 &#8211; present</li>
</ul>
<p>Listed in <em>The Violin Makers of the United States</em>, by Thomas J. Wenberg, Mount Hood Publishing Company, 1986.</p>
<p>Learn more about the Kolstein shop at <a href="http://www.kolstein.com">www.kolstein.com</a></p>
<p><strong>Music Provided by:</strong></p>
<ul>
<li>Eric Hochberg &#8211; <a href="http://www.erichochberg.com">www.erichochberg.com</a></li>
</ul>
<p>Special thanks to Daniel Chmielinski for technical assistance &#8211; <a href="http://www.carsleuth.net">www.carsleuth.net</a></p>
<p><strong>Show Notes:</strong></p>
<p>Release Date: 3/15/08</p>
<p>Length: 74:16</p>
<p>listen by phone: +1 (360) 227-5632</p>
<p>call our comment line (24 hour voice mail): +1 (206) 666-6509</p>
<p>Website: <a href="http://www.contrabassconversations.com/">www.contrabassconversations.com</a></p>
<p>E-mail: <a href="mailto:feedback@contrabassconversations.com">feedback@contrabassconversations.com</a></p>
<p>Blog: <a href="http://www.doublebassblog.org/">www.doublebassblog.org</a></p>
<p>Podcast T-shirts, hats, and more: <a href="http://www.cafepress.com/doublebass">www.cafepress.com/doublebass</a></p>
<p>MySpace: <a href="http://www.myspace.com/cbcpodcast">www.myspace.com/cbcpodcast</a></p>
<p>Facebook: <a href="http://www.facebook.com/group.php?gid=17621298264">www.facebook.com/group.php?gid=17621298264</a></p>
<p>Theme song by Eric Hochberg: <a href="http://www.erichochberg.com/">www.erichochberg.com</a></p>
<p>This show is brought to you by <a href="http://talkbass.com/">TalkBass.com</a>, the largest community of bassists on the Internet. Join in the conversation at <a href="http://talkbass.com/cbc">talkbass.com/cbc</a>.</p>
<p>Check out our jazz forums at <a href="http://jazzdoublebass.com/">JazzDoubleBass.com</a>.</p>
<p>Join our <a href="http://www.facebook.com/group.php?gid=17621298264">Facebook group</a> and share videos, chat on discussion boards, leave ideas for the show, and interact with other bassists!</p>
<p>To get Contrabass Conversations downloaded automatically to your computer (for free!), you can <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=211054543">subscribe in iTunes</a>: <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=211054543"><img src="http://jasonheathbasspage.googlepages.com/iTunes_1click.gif" title="Subscribe to Contrabass Conversations in iTunes" border="0" /> </a></p>
<p><a href="http://feeds.feedburner.com/ContrabassConversations">Click here</a> to subscribe through e-mail or through another program besides iTunes</p>
]]></content:encoded>
			<wfw:commentRss>http://contrabassconversations.com/2008/03/15/cbc-70-barrie-kolstein-interview/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		<enclosure url="http://media.libsyn.com/media/contrabassconversations/CBC_70.mp3" length="1" type="audio/mpeg"/>
<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>This week, we're featuring Barrie Kolstein on the Contrabass Conversations show.    Barrie discusses his father Samuel Kolstein and how he got into ...</itunes:subtitle>
		<itunes:summary>This week, we're featuring Barrie Kolstein on the Contrabass Conversations show.    Barrie discusses his father Samuel Kolstein and how he got into the bow making business, the progression into the bass making business, and the development of the Kolstein line of products (including rosin, stings, and cases) that bassists worldwide use today.

Barrie is a perceptive and extremely knowledgeable figure in the double bass community, and it was a real pleasure to do this interview. John, Barrie, and I actually chatted for a couple of hours, and it is all excellent content, so Irsquo;ll be breaking this interview into two hour-long segments, and yoursquo;ll be hearing the first half today. Visit the Kolstein shop online at www.kolstein.com, and check out our co-host John online at www.classicalmusicnews.tv.  Enjoy!



About Barrie Kolstein:

 1967-1971   State University of New York at Albany
Obtained a Bachelors of Science Degree in Business Administration and Marketing. 1967-1973 Formally studied the Double Bass under the pedagogues: Frederick Zimmermann, Assistant Principal of the New York Philharmonic; Orin Orsquo;Brien, New York Philharmonic; Georges Andre, Metropolitan Opera; Robert Gladstone, Principal Bassist Detroit Symphony; Samuel Hollingsworth, Principal Bassist Pittsburgh Symphony Orchestra; David Holland, renowned Jazz artist. 1971-1974 Served in formal apprenticeship for instrument and bow restoration, construction and appraisals, under the expert auspices of renowned violin and bow maker, restorer, and appraiser, Samuel Kolstein. 1974-1978 Served as staff instrument and bow restorer as well as making numerous new violin and celli with Samuel Kolstein. 1979 Promoted to head violin master in the shop of Samuel Kolstein. 1981 Assumed full business responsibilities for operating all aspects of Samuel Kolstein #38; Son, Ltd. and Kolstein Music, Inc. 1981 to present Head violin maker, restorer, and appraiser with a staff of nine violin makers working under his supervision.               Published numerous technical articles on restoration and appraisals in the International Society of Bassists with feature article published in the Strad, February 1991; presently editor of the ldquo;Luthier Cornerrdquo; in the International Society of Bassists magazine restoration and repair forum; published regularly in the Double Bassist magazine and the Strad magazine, both of London, England, since 1996. These articles have ranged form interviews with makers and performers, technical articles on repair/making, and expert appraisal articles on historic master makers; featured in the violinmaking segment of Robin Lehmanrsquo;s documentary, Young Peoples Guide to the Orchestra; contacted to appear in the upcoming educational video on ldquo;Careers in Musicrdquo;. On the expert appraisers staff of Art Conservation fine arts adjusters as a String Instrument and Bow Expert.

Barrie Kolstein has completed well over one hundred instruments (Violin, Viola, Cello and Bass Violins) utilized by renowned players including Jeffrey Turner, Pittsburgh Symphony; Robert Gladstone, Detroit Symphony; James Van Demark, Professor of Double Bass Eastman School of Music and world famous soloist; Charles Urbont, Metropolitan Opera; James Clute, Minnesota Symphony Orchestra; David Sheets, Baltimore Symphony Orchestra; Lou Norton, New York Philharmonic; Caitlyn Kamanga, Hong Kong Philharmonic;, Scott Haig, Assistant Principal Bassist, Cleveland Orchestra; Hienrich Joachim, renowned soloist and former member of the New York Philharmonic; Lew Norton, New York Philharmonic; Barbara Yendell, Hong Kong Philharmonic, to name a few! Mr. Kolstein is a member of:

	Appraisers Association of America, 1994 to present
	International Society of Bassists, 1979 - present
	Violin Society of America, 1980 - present
	Viola Congress, 1983 - present
	Cello Congress, 1982 - present

Listed in The Violin Makers of the United States, by Thomas J. Wenberg, Mount H...</itunes:summary>
		<itunes:keywords>Barrie,Kolstein,,Luthiers</itunes:keywords>
		<itunes:author>jsh177@yahoo.com</itunes:author>
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