April23
Double bassist and Contrabass Conversations co-host John Grillo recently recorded in the first of a new series of audio programs about the past, present, and future of the professional symphony orchestra. In this first episode, John interviews me about my book Road Warrior Without an Expense Account, which I hope you’ll find interesting. I also recorded a screencast of my Keynote presentation about this book, which I did in Sioux Falls, South Dakota during the summer of 2008. I wrote the blog posts that this book is based upon in early 2007. Enjoy!
March14
Contrabass Conversations Co-host John Grillo from classicalmusicnews.tv and I are concluding our interview with Cleveland Orchestra Principal Bass Max Dimoff this week. Before winning his job with the Cleveland Orchestra, Max served as Principal Bass of the San Antonio Symphony and Section Bass for the Grant Park Symphony and Seattle Symphony.
In this second segment of our interview with Max, we cover the use of rhythms in practicing solo and orchestral music, why he finds warm-up exercises useful, standing versus sitting, and audition preparation advice.
Max’s Warm-Ups
Max Dimoff Warm-Up Packet (PDF)
In addition to serving as Principal Bass with the Cleveland Orchestra, Max is on faculty at the Cleveland Institute of Music along with Jeff Bradetich, his former teacher from Northwestern University. Max and Jeff team teach the CIM bass studio in a very interesting arrangement which we discuss during our interview.
Max’s colleague Jeff Bradetich recently appeared on Contrabass Conversations as well. Here are links both to Jeff’s interview and to Jeff’s own technique packets, which may be interesting to delve into for listeners as well:
More interviews co-hosted by John Grillo:
Links:
February21
Co-host John Grillo from classicalmusicnews.tv and I are interviewing Cleveland Orchestra Principal Bass Max Dimoff this week on Contrabass Conversations. Before winning his job with the Cleveland Orchestra, Max served as Principal Bass of the San Antonio Symphony and Section Bass for the Grant Park Symphony and Seattle Symphony.
In this first segment of our interview with Max, we delve into his approach to technique on the double bass, focusing on his warm-up exercises for the double bass. You can download this packet through the following link and follow along with the exercises as we discuss them with Max.
Max’s Warm-Ups
Max Dimoff Warm-Up Packet (PDF)
In addition to serving as Principal Bass with the Cleveland Orchestra, Max is on faculty at the Cleveland Institute of Music along with Jeff Bradetich, his former teacher from Northwestern University. Max and Jeff team teach the CIM bass studio in a very interesting arrangement which we discuss during our interview.
Max’s colleague Jeff Bradetich recently appeared on Contrabass Conversations as well. Here are links both to Jeff’s interview and to Jeff’s own technique packets, which may be interesting to delve into for listeners as well:
More interviews co-hosted by John Grillo:
February14
We’re concluding our interview (check out part 1 here) with Metropolitan Opera Orchestra bassist Dan Krekeler this week on the podcast. John Grillo of classicalmusicnews.tv and I co-interviewed Dan, which was particularly cool since we’ve both known Dan for many years. I played with Dan in the Civic Orchestra of Chicago, and John went to Indiana University with him as an undergraduate. It’s great to see an old friend have such great professional success, and it was a lot of fun to catch up with Dan and hear about his experiences on the road to a major orchestral position.
In our conversations about audition prep, Dan brings up musician coach Don Greene, and I realized that we’ve never actually talked about Don before on any blog posts or podcasts. This is surprising, since I’m a big fan of Don’s concepts and strategies for successful auditioning, so we’ll have to delve more into that topic at a later date.
If you’re in the mood to learn about the world of opera bass playing, these episodes from our archives would be a good start:
January31
We’re featuring an interview with Metropolitan Opera Orchestra bassist Dan Krekeler this week on the podcast. John Grillo of classicalmusicnews.tv and I co-interviewed Dan, which was particularly cool since we’ve both known Dan for many years. I played with Dan in the Civic Orchestra of Chicago, and John went to Indiana University with him as an undergraduate. It’s great to see an old friend have such great professional success, and it was a lot of fun to catch up with Dan and hear about his experiences on the road to a major orchestral position.
In our conversations about audition prep, Dan brings up musician coach Don Greene, and I realized that we’ve never actually talked about Don before on any blog posts or podcasts. This is surprising, since I’m a big fan of Don’s concepts and strategies for successful auditioning, so we’ll have to delve more into that topic at a later date.
If you’re in the mood to learn about the world of opera bass playing, these episodes from our archives would be a good start:
February7
Contrabass Conversations regular contributor and classicalmusicnews.tv blogger John Grillo and I recorded a follow-up episode to our recent Opera Excerpt Breakdown episode. In this episode we chat a little more generally about opera bass playing and how it differs from orchestral bass playing.
John has played for numerous opera companies in the past, including the Pittsburgh Opera and Spoleto Festival die Due Mondi in Italy. He recently performed Wagner’s Ring Cycle as the only bass player (!). Learn more about John on his Contrabass Conversations page, check out his virtual recital, listen to the Opera Excerpt and Orchestra Excerpt breakdowns, and be sure to visit his blog at classicalmusicnews.tv.
February2
This week’s Contrabass Conversations episode features an in-depth analysis of the double bass opera excerpts most commonly requested at auditions. Double bassist (and regular Contrabass Conversations guest and co-host) John Grillo discusses each of these excerpts–stylistic considerations, differences in articulation and bow strokes, and suggestions for effectively learning them–and then performs them. We believe that this project will be a highly valuable resource for bassists worldwide, and we’d love your feedback on this project!
John and I created an excerpt breakdown for the most commonly requested orchestra excerpts back on CBC 41, and this has proven to be a highly popular and extremely useful resource to double bassists worldwide. Our hope is that this opera excerpt episode will do the same for the less familiar but wonderfully challenging double bass operatic literature.
Learn more about John at his new blog ClassicalMusicNews.tv, and check out all of his older Contrabass Conversations appearances here. You can also check out John in recital on his doublebassblog.org recital page.
Opera excerpts covered on this episode:
- Strauss
- Wagner
- Die Meistersinger von Nürnberg
- Die Walküre
- Britten
- Verdi
- Otello
- Rigoletto
- Falstaff
- Weber
- Mozart
- Magic Flute
- Marriage of Figaro
- Beethoven
- Humperdinck
December30
We’re chatting with Cincinnati Symphony principal bassist Owen Lee today on Contrabass Conversations. Owen played for the New World Symphony and the Houston Symphony prior to his appointment with the Cincinnati Symphony, and it was a real pleasure to do this interview along with Contrabass Conversations regular collaborator John Grillo.
John, Owen, and I chat about Owen’s early years on the bass, his experiences working with Ed Barker, Jakstadt double basses, and perspectives from the bass section and a principal position. We also feature music the first movement from the Misek Sonata No. 2 and the Gigue from the Cello Suite No. 3 by Johann Sebastian Bach from Owen’s Boston Records CD, plus Facebook group shout-outs, listener feedback, bass news, and a link of the week.
Learn more about Owen at www.myspace.com/owenleedoublebass. Enjoy!
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December5
This interview-only Contrabass Conversations episode features the conclusion of our interview with Indiana University double bass professor Lawrence Hurst, whom we interviewed on episodes 20 and 23 of the podcast. Visit John Grillo online at classicalmusicnews.tv.
October7
This week’s Contrabass Conversations episode concludes our chat with Time for Three bassist Ranaan Meyer. CBC guest and co-host John Grillo joins us in this interview, and the three of us had a very engaging conversation. You can check out the first part of our interview plus CBC video episodes featuring Ranaan on his Contrabass Conversations page here, and visit Time for Three’s website at www.tf3.com.
You can hear more from co-host John Grillo on his new blog www.classicalmusicnews.tv. Enjoy!
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Contrabass Conversations is a weekly podcast produced by double bass blogger 