We’re featuring two tracks from Contrabass Conversations contributor Kells Nollenberger and his new album with the Kaleidoscope Trio. Kells also has a podcast called The Jazz Exchange and guest hosted an interview with Steve Rodby for us in the past.

We’ll be hearing the first and last tracks from their new album Map to the Ocean, which is available as a free download on the Jazz Exchange website here. If you enjoy this music, please consider making a donation to the Kaleidoscope Trio, which you can do on the page where you download the album. This model of distribution is going to become more and more common in the coming years, and the way to ensure that artists like these continue to great new material is to give them some support, both with a little cash and by checking them out when they perform live.

Tracks performed:

• Horizon
• 19th Century Photograph

This episode is sponsored by The String Emporium

We’re featuring an interview with jazz bassist Rufus Reid on this week’s episode of Contrabass Conversations. This interview was conducted by guest host Win Hinkle, a former member of the Florida Symphony Orchestra (this orchestra dissolved in 1993) who also worked in Florida as a trombonist, electric bassist, and double bassist, including a lot of time at Walt Disney World.

Rufus Reid is, without a doubt, one of the most influential bassists working in jazz today, and he has had a significant impact on double bass performance and pedagogy throughout his career. His book The Evolving Bassist was one of the earliest of the contemporary generation of double bass method books, and it continues to be a foundational text for double bass students. I recommend it to all of my students who are interested in jazz, and I use many of his exercises for arco study and sight reading practice even with students who only study classical music.

We’re also featuring Rufus Reid and bassist Michael Moore performing All Blues from their album Double Bass Delights, as well as some listener feedback, bass news, a link of the week, and much more. Check out more recordings of Rufus in various settings on his website’s recordings page. Enjoy!

About Rufus Reid:

Born on February 10, 1944 in Atlanta, GA., Rufus Reid was raised in Sacramento, California where he played the trumpet through junior high and high school. Upon graduation from Sacramento High School, he entered the United States Air Force as a trumpet player. During that period he began to be seriously interested in the bass. After fulfilling his duties in the military, Rufus had decided he wanted to pursue a career as a professional bassist. He moved to Seattle, Washington, where he began serious study with James Harnett of the Seattle Symphony. He continued his education at Northwestern University in Evanston, Illinois, where he studied with Warren Benfield and principal bassist, Joseph Guastefeste, both of the Chicago Symphony. He graduated in 1971 with a Bachelor of Music Degree as a Performance Major on the Double Bass. The MidAtlantic Arts Foundation awarded Rufus The 2005 Mellon Jazz Living Legacy Award for his dedication to America’s National Cultural Treasure: Jazz, for his personal and professional commitment to Jazz Education in the Mid-Atlantic Region. The International Society of Bassists presented Rufus with their highest honor, The Distinguished Achievement Award, in 2001. The New Jersey Chapter of the IAJE named him OUTSTANDING EDUCATOR of 1999. The International Association of Jazz Educators awarded Rufus the Humanitarian Award in 1997 BASS PLAYER magazine, awarded Rufus the 1998 Jazz Educator Achievement Award.

About Win Hinkle:

Win Hinkle is dedicated double bassist and a former trombonist spending 17 seasons with the Florida Symphony Orchestra in Orlando, until its demise in April of 1993. He worked as a double bassist, bass guitarist, and trombonist for many years in Florida including a lot of time at Walt Disney World. He recently sold his last bass guitar and only plays the double bass. He currently lives in Boston but still tries to spend time in time in Florida, especially in the Winter months.

Link of the Week:

rufusreid.com

Music Provided by:

• Eric Hochberg -www.erichochberg.com
• Rufus Reid – rufusreid.com

Special thanks to Daniel Chmielinski for technical assistance – www.carsleuth.net

Show Notes:

Release Date: 7/12/08

Length: 51:58

listen by phone: +1 (360) 227-5632

call our comment line (24 hour voice mail): +1 (206) 666-6509

Website: www.contrabassconversations.com

E-mail: feedback@contrabassconversations.com

Blog: www.doublebassblog.org

Podcast T-shirts, hats, and more: www.cafepress.com/doublebass

MySpace: www.myspace.com/cbcpodcast

Facebook: www.facebook.com/group.php?gid=17621298264

Theme song by Eric Hochberg:www.erichochberg.com

This show is brought to you by TalkBass.com, the largest community of bassists on the Internet. Join in the conversation at talkbass.com/cbc.

Check out our jazz forums at JazzDoubleBass.com.

Join our Facebook group and share videos, chat on discussion boards, leave ideas for the show, and interact with other bassists!

To get Contrabass Conversations downloaded automatically to your computer (for free!), you can subscribe in iTunes:

Click here to subscribe through e-mail or through another program besides iTunes

This week’s episode concludes the interview with jazz bass legend Steve Rodby that we featured on episodes 58 and 78 of the podcast. Rodby has played bass on every Pat Metheny Group record since 1980, co-produced the group’s last five albums and won 10 Grammy Awards with the group. He has toured with jazz greats Joe Henderson and Tony Bennett, and also works regularly as a producer.

This interview was conducted by jazz double bassist Kells Nollenberger. Kells has launched a new podcast called the Jazz Exchange, which can be found at www.jazzexchange.org. This podcast features interviews with and performances from a wide array of jazz artists, and I encourage listeners to check out the great things that Kells is doing over there.

We also feature bass news, listener voicemail and e-mail, and a link of the week. Enjoy!

About Steve Rodby:

From the Northwestern University Alumni magazine:

As a youngster growing up in Joliet, Ill., Steve Rodby (Mu77) loved the television show Captain Kangaroo. One character particularly intrigued him. “It was Mr. Green Jeans — Captain Kangaroo’s sidekick,” Rodby explains. “I would see him play on the show when I was a little kid, and I fell totally in love with the bass.” Rodby grew up in a musical family. His father was a choir director and composer. At age 10, Rodby would listen to his dad play guitar and play along on bass by ear.

Lyric Opera of Chicago violinist Peter Labella (Mu77), Rodby’s childhood friend and Northwestern roommate, remembers jamming on the piano alongside Rodby as early as elementary school. By the time Rodby arrived at Northwestern, he was already working with bass legend Warren Benfield of the Chicago Symphony Orchestra. He went on to study under jazz great Rufus Reid (Mu71) (”Making Music,” summer 2003) and play for then Northwestern jazz band director Cliff Colnot (GMu77). When he wasn’t jamming with Labella, Rodby started playing in downtown jazz clubs, including Chicago’s legendary Jazz Showcase on the North Side. Soon Rodby became the house bassist, playing five nights a week.

After he graduated, Rodby dabbled briefly in basic studio work, playing on television commercials and pop records. But within a few years, he received a call from an old friend from a pre-college band camp — guitarist Pat Metheny of Kansas City. Metheny, whom Rodby frequently went to see at the Evanston club Amazing Grace, was searching for a new bassist for his band, a contemporary jazz group. Rodby turned out to be just the guy and joined the Pat Metheny Group immediately after his first audition.

“This was my favorite band before I was even in it,” he says. “I can’t believe my good fortune to be in it now and to be making music that is so fresh, alive and current.” Rodby has played bass on every Pat Metheny Group record since 1980, co-produced the group’s last five albums and won 10 Grammy Awards with the group along the way. He is excited that after 23 years together, the group continues to grow and progress. Not even living in different cities slows the band’s recording process. For a given song, Metheny will often record his part in New York and send the tape to Rodby’s Chicago apartment, where Rodby will refine the track before sending it out to pianist Lyle Mays in Los Angeles. Aside from working with Metheny, Rodby has become a frequently recruited studio musician and producer. He has toured with jazz greats Joe Henderson and Tony Bennett, and lately he has taken an increasing interest in producing. He likens the role of a producer to that of a film director, assembling the team and coaching the performance. Refusing to restrict himself to one genre, Rodby enjoys all types of music — even modern bands like Radiohead — and says a future collaboration with a contemporary pop artist is not out of the question. “I’m way more into pop than most jazz guys,” he says, “but I was way more into jazz than most classical guys and way more into classical than most pop guys.” Whatever form of music it is that he is playing, you can bet Rodby won’t be putting down his bass anytime soon. After completing the next Pat Metheny Group album later this year, Rodby says the group will likely embark on a tour in 2005. “I hope to make music forever,” he says. “Teaching, playing, producing… music’s what I’m all about.”

- Michael DePilla (J04)

Music Provided by:

• Eric Hochberg - www.erichochberg.com

Special thanks to Daniel Chmielinski for technical assistance – www.carsleuth.net

Show Notes:

Release Date: 6/28/08

Length: 31:20

listen by phone: +1 (360) 227-5632

call our comment line (24 hour voice mail): +1 (206) 666-6509

Website: www.contrabassconversations.com

E-mail: feedback@contrabassconversations.com

Blog: www.doublebassblog.org

Podcast T-shirts, hats, and more: www.cafepress.com/doublebass

MySpace: www.myspace.com/cbcpodcast

Facebook: www.facebook.com/group.php?gid=17621298264

Theme song by Eric Hochberg: www.erichochberg.com

This show is brought to you by TalkBass.com, the largest community of bassists on the Internet. Join in the conversation at talkbass.com/cbc.

Check out our jazz forums at JazzDoubleBass.com.

Join our Facebook group and share videos, chat on discussion boards, leave ideas for the show, and interact with other bassists!

To get Contrabass Conversations downloaded automatically to your computer (for free!), you can subscribe in iTunes:

Click here to subscribe through e-mail or through another program besides iTunes

This interview was conducted by jazz double bassist Kells Nollenberger. Kells has launched a new podcast called the Jazz Exchange, which can be found at www.jazzexchange.org. This podcast features interviews with and performances from a wide array of jazz artists, and I encourage listeners to check out the great things that Kells is doing over there.

We also feature bass news, listener voicemail and e-mail, and a link of the week. Enjoy!

About Steve Rodby:

From the Northwestern University Alumni magazine:

As a youngster growing up in Joliet, Ill., Steve Rodby (Mu77) loved the television show Captain Kangaroo. One character particularly intrigued him. “It was Mr. Green Jeans — Captain Kangaroo’s sidekick,” Rodby explains. “I would see him play on the show when I was a little kid, and I fell totally in love with the bass.” Rodby grew up in a musical family. His father was a choir director and composer. At age 10, Rodby would listen to his dad play guitar and play along on bass by ear.

Lyric Opera of Chicago violinist Peter Labella (Mu77), Rodby’s childhood friend and Northwestern roommate, remembers jamming on the piano alongside Rodby as early as elementary school. By the time Rodby arrived at Northwestern, he was already working with bass legend Warren Benfield of the Chicago Symphony Orchestra. He went on to study under jazz great Rufus Reid (Mu71) (”Making Music,” summer 2003) and play for then Northwestern jazz band director Cliff Colnot (GMu77). When he wasn’t jamming with Labella, Rodby started playing in downtown jazz clubs, including Chicago’s legendary Jazz Showcase on the North Side. Soon Rodby became the house bassist, playing five nights a week.

After he graduated, Rodby dabbled briefly in basic studio work, playing on television commercials and pop records. But within a few years, he received a call from an old friend from a pre-college band camp — guitarist Pat Metheny of Kansas City. Metheny, whom Rodby frequently went to see at the Evanston club Amazing Grace, was searching for a new bassist for his band, a contemporary jazz group. Rodby turned out to be just the guy and joined the Pat Metheny Group immediately after his first audition.

“This was my favorite band before I was even in it,” he says. “I can’t believe my good fortune to be in it now and to be making music that is so fresh, alive and current.” Rodby has played bass on every Pat Metheny Group record since 1980, co-produced the group’s last five albums and won 10 Grammy Awards with the group along the way. He is excited that after 23 years together, the group continues to grow and progress. Not even living in different cities slows the band’s recording process. For a given song, Metheny will often record his part in New York and send the tape to Rodby’s Chicago apartment, where Rodby will refine the track before sending it out to pianist Lyle Mays in Los Angeles. Aside from working with Metheny, Rodby has become a frequently recruited studio musician and producer. He has toured with jazz greats Joe Henderson and Tony Bennett, and lately he has taken an increasing interest in producing. He likens the role of a producer to that of a film director, assembling the team and coaching the performance. Refusing to restrict himself to one genre, Rodby enjoys all types of music — even modern bands like Radiohead — and says a future collaboration with a contemporary pop artist is not out of the question. “I’m way more into pop than most jazz guys,” he says, “but I was way more into jazz than most classical guys and way more into classical than most pop guys.” Whatever form of music it is that he is playing, you can bet Rodby won’t be putting down his bass anytime soon. After completing the next Pat Metheny Group album later this year, Rodby says the group will likely embark on a tour in 2005. “I hope to make music forever,” he says. “Teaching, playing, producing… music’s what I’m all about.”

- Michael DePilla (J04)

Link of the Week:

• http://lebowskipodcast.com/

Music Provided by:

• Eric Hochberg – www.erichochberg.com

Special thanks to Daniel Chmielinski for technical assistance – www.carsleuth.net

Show Notes:

…from Andrew Festa:

Dear Jason,

I recently played a short recital at the ASODB with

Dr. Mark Morton. I played Silent Movie by Paul

Ramsier. I don’t think this piece is very well known,

but I’d really like to make it more well known. Here

are videos of the first four movements, I’d really

appreciate it if you would post them on your blog!

1st movement http://youtube.com/watch?v=q_ThhzMlSiE

2nd http://youtube.com/watch?v=AhVTMzGQrfg

3rd http://youtube.com/watch?v=Tv7XJrNpeKA

4th http://youtube.com/watch?v=M1i_nBVxQMc

Release Date: 5/10/08

Length: 43:42

listen by phone: +1 (360) 227-5632

call our comment line (24 hour voice mail): +1 (206) 666-6509

Website: www.contrabassconversations.com

E-mail: feedback@contrabassconversations.com

Blog: www.doublebassblog.org

Podcast T-shirts, hats, and more: www.cafepress.com/doublebass

MySpace: www.myspace.com/cbcpodcast

Join our Facebook group and share videos, chat on discussion boards, leave ideas for the show, and interact with other bassists!

Facebook: www.facebook.com/group.php?gid=17621298264

Theme song by Eric Hochberg: www.erichochberg.com

This show is brought to you by TalkBass.com, the largest community of bassists on the Internet. Join in the conversation at talkbass.com/cbc.

Check out our jazz forums at JazzDoubleBass.com.

To get Contrabass Conversations downloaded automatically to your computer (for free!), you can subscribe in iTunes

Click here to subscribe through e-mail or through another program besides iTunes

About Lynn Seaton:

Lynn Seaton has had a stellar career as a jazz bassist. Born in Oklahoma in 1957, he started playing the bass at age 9. By the late 70’s he was performing around the state. From 1980 until 1984 he was the house bassist at the Blue Wisp Jazz Club in Cincinnati, accompanying big name guest soloists every week. In 1984, he joined Woody Herman and in 1985 he played with the Count Basie Orchestra. After a two-year engagement with the Basie Band, he did extended tours with Tony Bennett and George Shearing. Most of 1991 and 1992 was spent touring with Monty Alexander. Lynn spent a lot of time on the road as a member of the Jeff Hamilton Trio from 1995-1999. Since 1993, Lynn has also had a busy career free-lancing with many of the great jazz musicians from many generations, including: Toshiko Akiyoshi, Monty Alexander, Ernestine Anderson, Buck Clayton, Al Cohn, Kenny Drew Jr., Blossom Dearie, Bob Dorough, Harry “Sweets” Edison, Herb Ellis, John Fedchock, Frank Foster, Freddy Green, Tim Hagans, Jeff Hamilton, Scott Hamilton, Wynard Harper, Thad Jones, Mel Lewis, Marian McPartland, Jay McShann, Mark Murphy, Ken Peplowski, Bucky Pizzarelli, Jimmy Raney, Emily Remler, Diane Schuur, Maria Schneider, Bud Shank, Carol Sloane, Marvin “Smitty” Smith, Maxine Sullivan, Mel Torme, Frank Wess, Joe Williams, Nancy Wilson, Steve Wilson, Mark Vinci, and Teddy Wilson. He lived in NY from 1986 until 1998. That year, he accepted an offer to teach at the world famous University of North Texas, home to one of the largest jazz programs in the world. He has performed at festivals world wide including Bern, Concord, JVC, Kool, Kyoto, Newport, North Sea, Perugia and Pori. Lynn has performed in 49 of the 50 United States and 35 foreign countries. He has performed on over 100 recordings, including the Grammy winning “Diane Schuur and the Count Basie Orchestra”, and two Grammy nominees, John Fedchock “No Nonsense” and Woody Herman “50th Anniversary”. He has three recordings as a leader, “Bassman’s Basement”, “Solo Flights”, and “Puttin’ on the Ritz”.

Learn more about Lynn at his website lynnseaton.com, and learn more about the UNT jazz program at jazz.unt.edu.

Musical Selections:

• Strike Up the Band
• The Patrician Commission

Both tracks are from ‘The Lynn Seaton Trio LIVE!!!’, which was donated to the International Society of Bassists. Proceeds from this album benefit the ISB, and if you’re interested in ordering a copy (and I’d be surprised if you weren’t interested after hearing it!), you can send a check for $15 (add $5 for first class shipping or $8 for international airmail) to:

CD Lynn Seaton Live
ISB
14070 Proton Rd. Suite 100, LB 9
Dallas, TX 75244

You can also listen to other tracks from Lynn (and place orders for many of his albums) at Lynn’s website here.

Link of the Week:

• www.xbass.org

Music Provided by:

• Lynn Seaton – www.lynnseaton.com
• Eric Hochberg – www.erichochberg.com
• Fonkmasters

Special thanks to Daniel Chmielinski for technical assistance – www.carsleuth.net

Show Notes:

Release Date: 1/26/07

Length: 53:30

listen by phone: +1 (360) 227-5632

call our comment line (24 hour voice mail): +1 (206) 666-6509

Website: www.contrabassconversations.com

E-mail: feedback@contrabassconversations.com

Blog: www.doublebassblog.org

Podcast T-shirts, hats, and more: www.cafepress.com/doublebass

MySpace: www.myspace.com/cbcpodcast

Facebook: www.facebook.com/group.php?gid=17621298264

Theme song by Eric Hochberg: www.erichochberg.com

This show is brought to you by TalkBass.com, the largest community of bassists on the Internet. Join in the conversation at talkbass.com/cbc.

Check out our jazz forums at JazzDoubleBass.com.

Join our Facebook group and share videos, chat on discussion boards, leave ideas for the show, and interact with other bassists!

To get Contrabass Conversations downloaded automatically to your computer (for free!), you can subscribe in iTunes:

Click here to subscribe through e-mail or through another program besides iTunes

This interview was conducted by jazz double bassist Kells Nollenberger. Kells has launched a new podcast called the Jazz Exchange, which can be found at www.jazzexchange.org. This podcast features interviews with and performances from a wide array of jazz artists, and I encourage listeners to check out the great things that Kells is doing over there.

We also feature bass news, listener feedback, shout-outs to members of the Facebook group, and a link of the week. Enjoy!

About Steve Rodby:

From the Northwestern University Alumni magazine:

As a youngster growing up in Joliet, Ill., Steve Rodby (Mu77) loved the television show Captain Kangaroo. One character particularly intrigued him.

“It was Mr. Green Jeans — Captain Kangaroo’s sidekick,” Rodby explains. “I would see him play on the show when I was a little kid, and I fell totally in love with the bass.”

Rodby grew up in a musical family. His father was a choir director and composer. At age 10, Rodby would listen to his dad play guitar and play along on bass by ear.

Lyric Opera of Chicago violinist Peter Labella (Mu77), Rodby’s childhood friend and Northwestern roommate, remembers jamming on the piano alongside Rodby as early as elementary school.

By the time Rodby arrived at Northwestern, he was already working with bass legend Warren Benfield of the Chicago Symphony Orchestra. He went on to study under jazz great Rufus Reid (Mu71) (“Making Music,” summer 2003) and play for then Northwestern jazz band director Cliff Colnot (GMu77).

When he wasn’t jamming with Labella, Rodby started playing in downtown jazz clubs, including Chicago’s legendary Jazz Showcase on the North Side. Soon Rodby became the house bassist, playing five nights a week.

After he graduated, Rodby dabbled briefly in basic studio work, playing on television commercials and pop records. But within a few years, he received a call from an old friend from a pre-college band camp — guitarist Pat Metheny of Kansas City. Metheny, whom Rodby frequently went to see at the Evanston club Amazing Grace, was searching for a new bassist for his band, a contemporary jazz group. Rodby turned out to be just the guy and joined the Pat Metheny Group immediately after his first audition.

“This was my favorite band before I was even in it,” he says. “I can’t believe my good fortune to be in it now and to be making music that is so fresh, alive and current.”

Rodby has played bass on every Pat Metheny Group record since 1980, co-produced the group’s last five albums and won 10 Grammy Awards with the group along the way. He is excited that after 23 years together, the group continues to grow and progress.

Not even living in different cities slows the band’s recording process. For a given song, Metheny will often record his part in New York and send the tape to Rodby’s Chicago apartment, where Rodby will refine the track before sending it out to pianist Lyle Mays in Los Angeles.

Aside from working with Metheny, Rodby has become a frequently recruited studio musician and producer. He has toured with jazz greats Joe Henderson and Tony Bennett, and lately he has taken an increasing interest in producing. He likens the role of a producer to that of a film director, assembling the team and coaching the performance.

Refusing to restrict himself to one genre, Rodby enjoys all types of music — even modern bands like Radiohead — and says a future collaboration with a contemporary pop artist is not out of the question.

“I’m way more into pop than most jazz guys,” he says, “but I was way more into jazz than most classical guys and way more into classical than most pop guys.”

Whatever form of music it is that he is playing, you can bet Rodby won’t be putting down his bass anytime soon. After completing the next Pat Metheny Group album later this year, Rodby says the group will likely embark on a tour in 2005.

“I hope to make music forever,” he says. “Teaching, playing, producing… music’s what I’m all about.”

- Michael DePilla (J04)

Link of the Week:

Matt Wengerd’s excellent bass blog 104 Weeks:

http://mwengerd.blog.usf.edu/

Remember, if you’d like to suggest a link of the week, you can e-mail your ideas to feedback@contrabassconversations.com, call them in at 206-666-6509, or leave them on the Facebook group forum or our Talkbass forum.

Music Provided by:

• Eric Hochberg – www.erichochberg.com
• Fonkmasters

Special thanks to Daniel Chmielinski for technical assistance – www.carsleuth.net

Show Notes:

Release Date: 1/13/07

Length: 43:16

listen by phone: +1 (360) 227-5632

call our comment line (24 hour voice mail): +1 (206) 666-6509

Website: www.contrabassconversations.com

E-mail: feedback@contrabassconversations.com

Blog: www.doublebassblog.org

Podcast T-shirts, hats, and more: www.cafepress.com/doublebass

MySpace: www.myspace.com/cbcpodcast

Facebook: www.facebook.com/group.php?gid=17621298264

Theme song by Eric Hochberg: www.erichochberg.com

This show is brought to you by TalkBass.com, the largest community of bassists on the Internet. Join in the conversation at talkbass.com/cbc.

Check out our jazz forums at JazzDoubleBass.com.

Join our Facebook group and share videos, chat on discussion boards, leave ideas for the show, and interact with other bassists!

To get Contrabass Conversations downloaded automatically to your computer (for free!), you can subscribe in iTunes:

Click here to subscribe through e-mail or through another program besides iTunes

Although Peter has focused on obtaining a position in a major orchestra for many years, he is now focused on creating new creative outlets with Project, and his decision to strike out on his own with this great trio is an example of musical entrepreneurship at its finest. Be sure to pick up a copy of Winter in June, the new release from this killer trio. Enjoy!

About Peter:

Dallas native Peter Seymour has performed with a multitude of highly acclaimed artists and ensembles. As a member of the Cleveland Orchestra he performed under the baton of Franz Welser-Möst and in the New World Symphony under the direction of Michael Tilson Thomas. He was the recipient of the Downbeat Magazine Award for Best Jazz Soloist in 1996 and has appeared with Wynton Marsalis, Roy Hargrove, and Bobby McFerrin.

The son of an educator, Peter has been very active in planning and performing community outreach activities throughout the country and served as events coordinator for the New World Symphony Orchestra from 2001-2004.

He received a Bachelor of Music degree from the Cleveland Institute of Music and a Master’s Degree in Bass Performance from Rice University where he was a student of Paul Ellison. Peter is active composing and performing with PROJECT, the ensemble he co-founded with cellist Eric Stephenson. He presently resides in New York City.

About Project:

PROJECT is a dynamic young group that is exciting audiences with their energy and innovative style. Their sound can only be described as a fusion of jazz, hip-hop, and world music – balanced out by a sincere allegiance to their classical roots. By combining the classical repertoire with original compositions, PROJECT reaches out to new audiences. Through performance and outreach/education concerts, we can provide access for the next generation of music lovers.

Tracks played:

From ‘Winter in June’ by Project – available at http://cdbaby.com/cd/projectmusic

• Winter in June (title track)
• Random Roads Suite mvt I – The Puzzle

Music Provided by:

• Project – www.whatisproject.org
• Eric Hochberg – www.erichochberg.com
• Fonkmasters

Show Notes:

Release Date: 12/16/07

Length: 26:17

listen by phone: +1 (360) 227-5632

call our comment line (24 hour voice mail): +1 (206) 666-6509

Website: www.contrabassconversations.com

E-mail: feedback@contrabassconversations.com

Blog: www.doublebassblog.org

Podcast T-shirts, hats, and more: www.cafepress.com/doublebass

MySpace: www.myspace.com/cbcpodcast

Facebook: www.facebook.com/group.php?gid=17621298264

Theme song by Eric Hochberg: www.erichochberg.com

This show is brought to you by TalkBass.com, the largest community of bassists on the Internet. Join in the conversation at talkbass.com/cbc.

Check out our jazz forums at JazzDoubleBass.com.

Join our Facebook group and share videos, chat on discussion boards, leave ideas for the show, and interact with other bassists!

To get Contrabass Conversations downloaded automatically to your computer (for free!), you can subscribe in iTunes:

Click here to subscribe through e-mail or through another program besides iTunes

You can hear more from co-host John Grillo on his new blog www.classicalmusicnews.tv. Enjoy!

visit the show notes

visit the show notes

visit the show notes

visit the show notes

visit the show notes