Contrabass Conversations regular contributor and classicalmusicnews.tv blogger John Grillo and I recorded a follow-up episode to our recent Opera Excerpt Breakdown episode. In this episode we chat a little more generally about opera bass playing and how it differs from orchestral bass playing.
John has played for numerous opera companies in the past, including the Pittsburgh Opera and Spoleto Festival die Due Mondi in Italy. He recently performed Wagner’s Ring Cycle as the only bass player (!). Learn more about John on his Contrabass Conversations page, check out his virtual recital, listen to the Opera Excerpt and Orchestra Excerpt breakdowns, and be sure to visit his blog at classicalmusicnews.tv.
This week’s Contrabass Conversations episode features an in-depth analysis of the double bass opera excerpts most commonly requested at auditions. Double bassist (and regular Contrabass Conversations guest and co-host) John Grillo discusses each of these excerpts–stylistic considerations, differences in articulation and bow strokes, and suggestions for effectively learning them–and then performs them. We believe that this project will be a highly valuable resource for bassists worldwide, and we’d love your feedback on this project!
