excerpts

1119: Orchestral Insights with Andy Anderson

In this episode, we sit down with Andy Anderson, the newly appointed Clinical Assistant Professor of Double Bass at the University of Illinois Urbana-Champaign. With over two decades of experience performing with some of Chicago’s most prestigious ensembles, Andy brings a wealth of knowledge and passion to his teaching role.

Enjoy, and check out Andy’s past podcast appearances here.

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Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

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CBC 63: Chatting About Opera and Orchestra Bass Playing with John Grillo

Contrabass Conversations regular contributor and classicalmusicnews.tv blogger John Grillo and I recorded a follow-up episode to our recent Opera Excerpt Breakdown episode. In this episode we chat a little more generally about opera bass playing and how it differs from orchestral bass playing.

John has played for numerous opera companies in the past, including the Pittsburgh Opera and Spoleto Festival die Due Mondi in Italy. He recently performed Wagner’s Ring Cycle as the only bass player (!). Learn more about John on his Contrabass Conversations page, check out his virtual recital, listen to the Opera Excerpt and Orchestra Excerpt breakdowns, and be sure to visit his blog at classicalmusicnews.tv.

CBC 62: Opera Excerpt Breakdown with John Grillo

This week’s Contrabass Conversations episode features an in-depth analysis of the double bass opera excerpts most commonly requested at auditions. Double bassist (and regular Contrabass Conversations guest and co-host) John Grillo discusses each of these excerpts–stylistic considerations, differences in articulation and bow strokes, and suggestions for effectively learning them–and then performs them. We believe that this project will be a highly valuable resource for bassists worldwide, and we’d love your feedback on this project!

John and I created an excerpt breakdown for the most commonly requested orchestra excerpts back on CBC 41, and this has proven to be a highly popular and extremely useful resource to double bassists worldwide. Our hope is that this opera excerpt episode will do the same for the less familiar but wonderfully challenging double bass operatic literature.

Learn more about John at his new blog ClassicalMusicNews.tv, and check out all of his older Contrabass Conversations appearances here. You can also check out John in recital on his doublebassblog.org recital page.

Opera excerpts covered on this episode:

Strauss
- Salome
- Rosenkavalier
Wagner
- Die Meistersinger von Nürnberg
- Die Walküre
Britten
- Peter Grimes
Verdi
- Otello
- Rigoletto
- Falstaff
Weber
- Euryanthe
Mozart
- Magic Flute
- Marriage of Figaro
Beethoven
- Fidelo
Humperdinck
- Hansel and Gretel

CBC 41: Orchestral Excerpts Breakdown with John Grillo

This week’s Contrabass Conversations episode features an in-depth analysis of the double bass orchestral excerpts most commonly requested at auditions. Double bassist (and regular Contrabass Conversations guest and co-host) John Grillo discusses each of these excerpts–stylistic considerations, differences in articulation and bow strokes, and suggestions for effectively learning them–and then performs them. I believe that this project will be a highly valuable resource for bassists worldwide, and I’d love your feedback on this project!

Excerpts covered (click below to hear individual tracks):

Beethoven Symphony No. 9
Beethoven Symphony No. 5
Brahms Symphony No. 1 and 2
Shostakovich Symphony No. 5
Mozart Symphony No. 35 and 39
Mahler Symphony No. 2
Schubert Symphony No. 9
Strauss Ein Heldenleben
Britten Young Person’s Guide
Verdi Otello