This episode is one of those astoundingly complex projects that I love digging into! 

We’re featuring questions from double bass student Baylee Brown, which are answered by 27 noted double bass faculty members.  This idea was suggested by University of Texas at Arlington bass faculty member Jack Unzicker, who help design and execute this project.

A big shout-out to Baylee, Jack, and all of the faculty who took their valuable time to answer these questions!

Here’s the list of questions and the order in which they are covered:

1. What are the advantages and disadvantages to attending a conservatory vs. a university?
2. How many schools should I audition for?
3. What are some common preparation mistakes that you see auditioning students making?
4. Besides the bass teacher, what other factors should I consider when comparing schools?
5. Other than Performance, Music Ed, and Jazz, what other options are available for undergrads?
6. How early should students start preparing for their college auditions?
7. I am interested in auditioning at six schools; is there any flexibility in audition requirements that could help lessen the amount of combined repertoire for all of the schools?
8. How can I keep from getting overwhelmed by the audition repertoire requirements from the different schools for which I’m auditioning?
9. How do I ask for a lesson with the teacher for whom I’m auditioning? Do I pay them/ask about payment?
10. I play the German bow; how important is it that I study with a German bow teacher?

Learn more about each of the faculty members and their programs through the links below:

• George Amorim – University of Texas Rio Grande Valley
• Andrew Anderson – Roosevelt University
• Adam Booker – Appalachian State University
• Jeff Bradetich – University of North Texas
• Susan Cahill – University of Denver
• Timothy Cobb – Juilliard School of Music
• Paul Ellison – Rice University
• John Floeter – Northern Illinois University
• Diana Gannett – University of Michigan (emeritus)
• Kieran Hanlon – State University of New York at Fredonia
• Chris Hanulik – University of California, Los Angeles
• Caitlyn Kamminga – University of Trinidad and Tobago
• Douglas Mapp – Rowan University
• Gaelen McCormick – Nazareth College
• Leigh Mesh – Bard College
• Orin O’Brien – Manhattan School of Music
• Volkan Orhon – University of Iowa
• Scott Pingel – San Francisco Conservatory of Music
• Andrew Raciti – Northwestern University
• Brian Perry – Southern Methodist University
• Catalin Rotaru – Arizona State University
• Tracy Rowell – Oberlin College
• John Schimek – Oklahoma City University
• Donovan Stokes – Shenandoah University
• James VanDemark – Eastman School of Music
• Nicholas Walker – Ithaca College
• DaXun Zhang – University of Texas at Austin

Learn more about over 100 other United States college double bass programs in our colleges guide!

Contrabass Conversations is sponsored by:

D’Addario Strings

This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets..

Upton Bass String Instrument Company

Upton’s Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.

Contrabass Conversations production team:

• Jason Heath, host
• Michael Cooper and Steve Hinchey, audio editing
• Mitch Moehring, audio engineer
• Trevor Jones, publication and promotion