Today’s episode dives into the multifaceted career of bassist and pianist Ernst Glerum, focusing on his recent piano-bass album Détaché.
We delve into Ernst’s use of gut strings on his mid-19th-century English bass and his shift to a mix including Pirastro Olive strings. Ernst shares his compositional process, the technical challenges and expressive nuances of playing with gut strings versus steel strings, particularly the influence of rosin type on sound quality.
Ernst speaks fondly about his admiration for iconic musicians and his future plans for composing new music, encapsulating the essence of his artistic explorations.
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Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.
- theme music by Eric Hochberg