486: James Ham on double bass innovations

James Ham is a legend in the double bass luthier world.  After a multifaceted background that landed him in Victoria, British Columbia, James Ham created a series of revolutionary designs for the double bass. His first instrument was commissioned by Gary Karr after a deep analysis of the various positive and not-so-positive traits of the… Continue reading 486: James Ham on double bass innovations

485: Haruki Gonai on competitions

Fellow International Society of Bassists board member Marcel Villaflor suggested that I get in touch with high school junior Haruki Gonai about winning the Yonkers Philharmonic Concerto Competition.  Haruki is the first bassist ever to win this competition! Haruki will be performing the Koussevitzky Concerto on Sunday May 20th, 2018 at 3:00 PM at Saunders… Continue reading 485: Haruki Gonai on competitions

482: Charley Sabatino on the power of theory

Charley Sabatino is on a mission to re-vamp the way people teach music theory.  There’s a lot of wariness and confusion around music theory for many players, and it often comes down to the way it’s taught. That’s not all that Charley is up to these days, however.  He’s a man in constant motion: composing… Continue reading 482: Charley Sabatino on the power of theory

481: Ole Wilson on pickups

Ole Wilson is the CEO of Wilson Pickup Systems, which have been making the signature Wilson Pickup for double bass for over 34 years.  Wilson provided the first commercially available piezo pickup systems for the double bass back in the 1980s, and it has been used by artists like George Mraz, Gary Peacock, and John… Continue reading 481: Ole Wilson on pickups