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Contrabass Conversations

Contrabass Conversations

double bass podcast

418: Gene Perla on Elvin Jones, Broadway, and the business of music

In addition to being a bassist and working with artists like Elvin Jones and Miles Davis, Gene Perla is a composer, arranger, orchestrator, band leader, manager, booking agent, music publisher, record company executive, producer, Broadway sound designer, and much more.

Gene and I engage in a delightful and insightful conversation about how the music business has changed and where it’s headed.

More About Gene:

Gene Perla was raised in New Jersey where he studied classical piano and trombone. After attending Berklee School of Music he moved to New York and began his musical career as a jazz bassist. He has performed and/or recorded with Chick Corea, Miles Davis, Dizzy Gillespie, Woody Herman, Elvin Jones, Thad Jones/Mel Lewis Orchestra, Chuck Mangione, Joni Mitchell, Buddy Rich, Sonny Rollins, Nina Simone, Frank Sinatra, Stone Alliance, Sarah Vaughan, Nancy Wilson, and others.Continue Reading …

http://traffic.libsyn.com/contrabassconversations/CBC_417_-_Gene_Perla_Interview.mp3

413: Marlene Rosenberg on jazz education and the changing gig scene

It was great to chat with Marlene Rosenberg for the podcast!  Marlene is a Chicago-based jazz bassist and educator and is one of the most active players in the local scene.

Continue Reading …

http://traffic.libsyn.com/contrabassconversations/CBC_413_-_Marlene_Rosenberg_Interview.mp3

408: Milt Hinton memories with Kurt Morrow

In this special episode, we chat with Kurt Morrow about the time he spent with Milt Hinton.  Milt’s wife Mona asked Kurt if he would live in faculty housing with Milt.  Kurt shares some of these life-changing experiences with us today.

More about Milt Hinton

Milt “The Judge” Hinton was regarded as the Dean of jazz bass players. He was born in Vicksburg, Mississippi in 1910, and at the age of eleven moved to Chicago with his family. He began his musical education by taking private violin lessons, but while attending Chicago’s Wendell Phillips High School and playing in a band sponsored by the Chicago Defender newspaper, he learned to play bass horn, tuba, cello, and eventually the bass violin. Like many aspiring Southside musicians of his generation, he was influenced by the legendary educator, Major N. Clark Smith. During the late 1920s and early 30s, Milt worked as a freelance musician in Chicago and performed with legendary jazz artists including Freddie Keppard, Zutty Singleton, Jabbo Smith, Erskine Tate, and Art Tatum. His first steady job was with a band led by Tiny Parham, followed by a stint with violinist Eddie South’s Orchestra. Milt’s earliest recording come from this era.

Continue Reading …

http://traffic.libsyn.com/contrabassconversations/CBC_408_-_Milt_Hinton_Memories.mp3

406: Chris Fitzgerald on anti-dogma, YouTube, and publish or perish

I’ve been captivated by the massive and multifaceted YouTube videos that jazz bassist and educator Chris Fitzgerald has been putting out these past few years. Today we dig into the hows and whys of Chris’ considerable undertaking.

Continue Reading …

http://traffic.libsyn.com/contrabassconversations/CBC_406_-_Chris_Fitzgerald_Interview.mp3

399: Miles Brown on Alarm Will Sound, extended techniques, and versatility

It was great to chat with Miles Brown about what it’s like playing with Alarm Will Sound, learning massively complicated music for this group, and how to be versatile in today’s music world!

Miles ran the after hours sessions for ISB 2017, and he just took a new position at the University of Delaware after overseeing the jazz department at Oakland University in Michigan.

Continue Reading …

http://traffic.libsyn.com/contrabassconversations/CBC_399_-_Miles_Brown_Interview.mp3
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