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Contrabass Conversations

Contrabass Conversations

double bass podcast

423: Ron Carter (from the archives)

This “best of” episode features composer, teacher, and bassist Ron Carter.  Enjoy, and check out the original episode from 2016 here.

About Ron Carter

Ron Carter is among the most original, prolific, and influential bassists in jazz. With more than 2,000 albums to his credit, he has recorded with many of music’s greats: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons. In the early 1960s he performed throughout the United States in concert halls and nightclubs with Jaki Byard and Eric Dolphy.

He later toured Europe with Cannonball Adderley. From 1963 to 1968, he was a member of the classic and acclaimed Miles Davis Quintet. He was named Outstanding Bassist of the Decade by the Detroit News, Jazz Bassist of the Year by Downbeat magazine, and Most Valuable Player by the National Academy of Recording Arts and Sciences. In 1993 Ron Carter earned a Grammy award for Best Jazz Instrumental Group, the Miles Davis Tribute Band and another Grammy in 1998 for Call ‘Sheet Blues’, an instrumental composition from the film ‘Round Midnight.

In addition to scoring and arranging music for many films, including some projects for Public Broadcasting System, Carter has composed music for A Gathering of Old Men, starring Lou Gosset Jr., The Passion of Beatrice directed by Bertrand Tavernier, and Blind Faith starring Courtney B. Vance. Carter shares his expertise in the series of books he authored, among which are Building Jazz Bass Lines and The Music of Ron Carter; the latter contains 130 of his published and recorded compositions.

Carter earned a bachelor of music degree from the Eastman School in Rochester and a master’s degree in double bass from the Manhattan School of Music in New York City. He has also received four honorary doctorates, from the New England Conservatory of Music and the Manhattan School of Music, and was the 2002 recipient of the prestigious Hutchinson Award from the Eastman School at the University of Rochester. Most recently he was honored by the French Minister of Culture with France’s premier cultural award–the medallion and title of Commander of the Order of Arts and Letters, given to those who have distinguished themselves in the domain of artistic or literary creation and for their contribution to the spread of arts and letters in France and the world.

Carter has lectured, conducted, and performed at clinics and master classes, instructing jazz ensembles and teaching the business of music at numerous universities. He was Artistic Director of the Thelonious Monk Institute of Jazz Studies while it was located in Boston and, after 18 years on the faculty of the Music Department of The City College of New York, he is now Distinguished Professor Emeritus although, as a performer, he remains as active as ever.

Check out more jazz-related episodes here!

Contrabass Conversations is sponsored by:

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http://traffic.libsyn.com/contrabassconversations/CBC_423_-_Ron_Carter_from_the_archives.mp3

418: Gene Perla on Elvin Jones, Broadway, and the business of music

In addition to being a bassist and working with artists like Elvin Jones and Miles Davis, Gene Perla is a composer, arranger, orchestrator, band leader, manager, booking agent, music publisher, record company executive, producer, Broadway sound designer, and much more.

Gene and I engage in a delightful and insightful conversation about how the music business has changed and where it’s headed.

More About Gene:

Gene Perla was raised in New Jersey where he studied classical piano and trombone. After attending Berklee School of Music he moved to New York and began his musical career as a jazz bassist. He has performed and/or recorded with Chick Corea, Miles Davis, Dizzy Gillespie, Woody Herman, Elvin Jones, Thad Jones/Mel Lewis Orchestra, Chuck Mangione, Joni Mitchell, Buddy Rich, Sonny Rollins, Nina Simone, Frank Sinatra, Stone Alliance, Sarah Vaughan, Nancy Wilson, and others.Continue Reading …

http://traffic.libsyn.com/contrabassconversations/CBC_417_-_Gene_Perla_Interview.mp3

413: Marlene Rosenberg on jazz education and the changing gig scene

It was great to chat with Marlene Rosenberg for the podcast!  Marlene is a Chicago-based jazz bassist and educator and is one of the most active players in the local scene.

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http://traffic.libsyn.com/contrabassconversations/CBC_413_-_Marlene_Rosenberg_Interview.mp3

408: Milt Hinton memories with Kurt Morrow

In this special episode, we chat with Kurt Morrow about the time he spent with Milt Hinton.  Milt’s wife Mona asked Kurt if he would live in faculty housing with Milt.  Kurt shares some of these life-changing experiences with us today.

More about Milt Hinton

Milt “The Judge” Hinton was regarded as the Dean of jazz bass players. He was born in Vicksburg, Mississippi in 1910, and at the age of eleven moved to Chicago with his family. He began his musical education by taking private violin lessons, but while attending Chicago’s Wendell Phillips High School and playing in a band sponsored by the Chicago Defender newspaper, he learned to play bass horn, tuba, cello, and eventually the bass violin. Like many aspiring Southside musicians of his generation, he was influenced by the legendary educator, Major N. Clark Smith. During the late 1920s and early 30s, Milt worked as a freelance musician in Chicago and performed with legendary jazz artists including Freddie Keppard, Zutty Singleton, Jabbo Smith, Erskine Tate, and Art Tatum. His first steady job was with a band led by Tiny Parham, followed by a stint with violinist Eddie South’s Orchestra. Milt’s earliest recording come from this era.

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http://traffic.libsyn.com/contrabassconversations/CBC_408_-_Milt_Hinton_Memories.mp3

406: Chris Fitzgerald on anti-dogma, YouTube, and publish or perish

I’ve been captivated by the massive and multifaceted YouTube videos that jazz bassist and educator Chris Fitzgerald has been putting out these past few years. Today we dig into the hows and whys of Chris’ considerable undertaking.

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http://traffic.libsyn.com/contrabassconversations/CBC_406_-_Chris_Fitzgerald_Interview.mp3
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