Contrabass Conversations

Contrabass Conversations

double bass podcast

1036: Matt Rybicki on learning jazz bass

Matt Rybicki  has performed with renowned artists like Wynton Marsalis and played at esteemed venues from The Village Vanguard to international concert halls. He balances an active performance schedule with his roles as a faculty member at The Juilliard School and the University of North Carolina at Pembroke. 

Matt recently started a YouTube Channel titled Learn Jazz Bass with Matt Rybicki, which digs into all kinds of insights into jazz bass for players of all levels.

We talk about the inspiration for starting this channel, what it has been like making weekly videos, and much more.  Enjoy!

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Thank you to our sponsor!

Dorico – This podcast episode is sponsored by Dorico: the next-generation music notation software from Steinberg, that’s packed with smart, time-saving features to help you spend less time in front of your computer and more time doing what you love: making music.

The latest version of Dorico 5, includes Iconica Sketch, a new orchestral sound library, bringing more expressive playback, and making it easy to produce more life-like performances with a dynamic stereo soundstage. Try Dorico Now For 60 Days For Free: visit dorico.com

1024: Hein Van de Geyn on his jazz bass journey

Hein van de Geyn  is a jazz double bassist, composer, teacher and band leader from the Netherlands.  His groundbreaking Comprehensive Bass Method has influenced a generation of bassists and is widely regarded as one of the leading pedagogical works for jazz double bass.

We talk about Hein’s remarkable career, his time in San Francisco, writing his bass method, what life in South Africa has been like these last several years, and much more.  Enjoy!

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Time Stamps

00:00 Introduction and Guest Background

01:28 Getting to Know Hein van de Gein

01:50 Reminiscing About San Francisco’s Jazz Scene

03:17 Exploring the Jazz Scene in South Africa

04:35 The Importance of Practice and Mastery

10:17 The Role of a Music Teacher

14:10 The Art of Improvisation and Composition

18:12 The Value of Consistent Practice

22:33 The Journey of Learning and Teaching Music

26:58 Closing Thoughts and Reflections

28:50 Discovering Pablo Records and Dreaming of Playing

29:09 Memories of Performing with Joe Pass

30:07 The Art of Musical Language and Influence of Charlie Hayden

31:14 The Impact of Michael Brecker and the Role of Charlie Hayden

32:03 Reflections on Early Musical Influences and Evolution

32:56 The Shift in Bass Playing and Amplification Over the Years

33:33 The Unexpected Impact of Jaco Pastorius

34:57 The Evolution of Bass Amplification and Sound

36:56 Memories of Playing with Jazz Legends

39:00 The Importance of Technique and Style in Bass Playing

42:10 The Transition from Jazz Musician to South African Entrepreneur

47:32 The Enduring Passion for Music and Jazz

52:31 Lessons Learned from Playing with Jazz Greats

53:55 Closing Thoughts on the Global Jazz Community

1017: Gregg August on balancing jazz, classical, and composition

Gregg August is a New York double bassist who successfully balances careers in classical and jazz music, as well as composition. He is member of the Orpheus Chamber Orchestra (Associate), the American Composers Orchestra, Westchester Philharmonic and Orchestra of St. Luke’s. He is also an active composer and performer in avant-garde, jazz and Latin jazz worlds.

We talk about his background, how he balances these multiple disciplines, his 2020 project “Dialogues on Race,” his experience with the innovative “Bang on a Can” summer festival, and much more. Enjoy, and be sure to check out Gregg’s website to learn more about his exceptional work!

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Thank you to our sponsors!

Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. 

Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.

1016: Kostas Patsiotis on Greece and October

Greek bassist Kostas Patsiotis recently released his solo debut album October, which was recorded in a single day at Antart Studios in Athens and features Yiannis Papadopoulos on piano, Michael Tsiftis on guitar and Dimitris Klonis on drums.

We talk about what it’s like being a jazz bassist in Greece, how Kostas got into bass playing, his gear, what it was like recording this album, and much more.

Enjoy, and be sure to check out October and also follow along with Kostas on his website, YouTube, Facebook, and Instagram!

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Thank you to our sponsors!

Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. 

Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.

1015: Jesse Dietschi on balancing jazz and classical playing

Jesse Dietschi recently released Gradient, his debut album with fellow Toronto musicians Ethan Ardelli (drums) and Ewen Farncombe (piano).  This album has been getting considerable acclaim and will be featured in the Debut Album Reviews section of the December 2023 edition of DownBeat Magazine, along with numerous radio programs throughout North America and Europe.

We talk about the story behind this album, how Jesse and I met several years ago at the Suzuki Association of the Americas Conference, what it’s like balancing classical work like subbing with the Toronto Symphony with his jazz projects, and much more.

Enjoy, and be sure to check out October on Spotify and bandcamp, and be sure to follow along with Jesse on his website and Instagram!

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Connect with us:

Thank you to our sponsors!

Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. 

Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.