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Contrabass Conversations

Contrabass Conversations

double bass podcast

240: Thierry Barbé on expressive music, German bow, and French basses

Thierry Barbe

Thierry Barbé is a man in constant motion.

When he’s not performing as principal bass of the Paris National Opera or teaching at the Paris Conservatory, Thierry can be found in all corners of the globe, performing lesser-known gems from the bass repertoire and giving clinics along the way.

He is a technical synthesizer, pulling from many different schools of playing, even incorporating German bow into his bag of techniques.

Thierry is a pioneer in uniting the European double bass community.  He organized the first European Bass Conference in 2008 and started the European Society of Bassists shortly after that.

He also has a new CD/DVD, which are must-haves for any bassist.  It’s available from the Triton label and as an MP3 download on Amazon.

Best of all, Thierry is a warm and caring person who brightens the day of anyone he runs into.  I had the good fortune to work with him on the International Society of Bassists board a few years ago, and he brought a marvelous energy to the organization.

Check out the full interview using the audio player, and subscribe to the podcast to get interviews delivered to your inbox or device automatically!

Resources we covered in this interview:

Thierry’s website

Thierry’s YouTube channel

French Impressions on Amazon (MP3 download)

order the DVD

French Impressions – CD/DVD on Triton

http://traffic.libsyn.com/contrabassconversations/CBC_240_-_Thierry_Barbe_Interview.mp3

Take our listener survey!

CBC survey

It’s time for our 2016 listener survey!

This survey will only take a minute or so to fill out, and it’s incredibly helpful for me.

Why?

First off, I love hearing from you!

Also, it shows me what you find most compelling about what I put out for the podcast.

But most of all, it helps me to create podcast content that helps you.

If you can find the time to take the survey, I’d really appreciate it!

http://traffic.libsyn.com/contrabassconversations/Take_our_listener_survey.mp3

239: Seven Lessons I’ve Learned About Interviewing

Seven Lessons I've Learned About Interviewing

I wrote a three-part series for Drew McManus’ site ArtsHacker earlier this year, and this got my brain going: what if I also put out some “pulling back the curtain” podcasts about how I do all of this and what I’ve learned in the process?  So that’s what today’s episode is.  I’m breaking this into two parts: today I’m covering “the art of the interview” and seven lessons I’ve learned about interviewing.  Next time we’ll go deep into the tech behind recording, editing, and putting these episodes out.

Podcasters like me end up having this strange skill set where they’re half Jay Leno and half IT guy.  While some of the bigger podcasters split these duties into various team members, the vast majority of podcasters (myself included) fill both of these roles.

Early Days: Discovering Podcasts

I discovered podcasts not too long after getting my first iPod Video in 2005.  My first podcast was This Week in Tech with Leo Laporte (who I’ve actually seen live! my wife and I went to the TWiT studio in Petaluma last year to see a live taping of This Week in Tech).  I was hooked from the get go, and it wasn’t took long before I thought, “What if I did my own podcast?”

I filed that thought away for a year.  My blog was starting to grow, and I was having a good time riding that wave.  But the more I got into blogging, the more I thought about how cool it would be to have a podcast. I was loving listening to interview shows, and I had broadened my listening to include about 20 podcasts at that point.  It was basically all that I listened to outside of some music.  It had totally supplanted any other form of talk radio or television.

As 2006 progressed, I resolved to start my own show, and the last few months of that year were spent purchasing gear, setting up a website, getting hosting for my new podcast, and learning how to use my gear to record and edit.  I did some unreleased test episodes at the end of 2006 and put out my first podcast on January 1st of 2007.

Getting My Sea Legs

Recording yourself makes most people self-conscious, and listening back to yourself as a host can be particularly awkward.  Like most people, I hated how I sounded on the mic, and I didn’t really know how to use any of the gear that I had that well, so it was trial by fire for sure.  I had this questionable Acer laptop at the time, with caused all sorts of problems early on, but I’ll save those details for the tech episode next time.

I put out what I thought was a pretty decent first episode, just stating the purpose of the show and what I hope to do.  The funny thing is that I have done pretty much exactly what I said on that first episode!  I went back not too long ago and listened to that episode, expecting some truly cringe-worthy material, but to my surprise it was actually pretty tight.

My first three episodes had no guests—they were just me rambling into the microphone, and it’s amazing to hear how stiff and stilted my delivery was.  It was all new to me, and that’s the first big lesson I have for this episode: no matter how well-versed you may be in public speaking, it takes time to find your own rhythm and your own voice in front of the microphone for a podcast.  Imitating someone else may work at first, but ultimately you have to find your own style.  It’s tough!

My First Guests

I finally got a guest on episode 4—Andy Anderson from the Lyric Opera of Chicago, and I am eternally thankful to him for being willing to take a chance on something like this.  Andy is an incredibly open guy, which was amazing for a first guest. He made it so easy for me.  I can think of a lot of other people I interviewed after that which would have been much more challenging interviews, but Andy was amazing and was really helpful for building my confidence.  I mean, I really didn’t know what I was doing.

I had listened to podcasts for a while at that point and had taken in a lot of interviews, but doing your own interview is not the thing entirely.  It can feel kind of formal and weird—I actually think that it’s one of those deceptively difficult skills that seems easy when done well but is in reality incredibly challenging to do at a high level.

Continue Reading …

http://traffic.libsyn.com/contrabassconversations/Seven_Lessons_Ive_Learned_About_Interviewing.mp3

238: Thomas Martin on Bottesini, gut strings, and the bass revolution

Thomas Martin

Today’s episode features Thomas Martin.  Tom has worn many hats throughout his career, working as an orchestra principal bass, soloist, champion of Bottesini’s music, luthier, teacher, and conductor.  We cover a wide variety of topics, including Tom’s early years, playing in the Army Orchestra, studying with Roger Scott, the process of uncovering the music of Bottesini and reconstructing how Bottesini approached the instrument, making basses, and the bass revolution that’s currently taking place.  Enjoy!

Links:

  • Tom’s website
  • Tom’s Bottesini recordings:
    • Bottesini Collection Vol. 1
    • Bottesini Collection Vol. 2
    • Bottesini Collection Vol. 3
    • Bottesini Collection Vol. 4
    • Bottesini Collection Vol. 5

Listener feedback links:

  • Cassie LaMarche’s GoFundMe for BASS2016
  • Music Podcasts I’ve been Enjoying:
    • The Entrepreneurial Musician
    • Divergent Paths
    • Clarineat
    • A Musical Life
http://traffic.libsyn.com/contrabassconversations/CBC_238_-_Thomas_Martin_Interview.mp3

Winning the Audition 4: Sealing the Deal

Winning the Audition

My book Winning the Audition is now available!  Learn more about this step-by-step actionable resource at winningtheaudition.net.

Continue Reading …

http://traffic.libsyn.com/contrabassconversations/Winning_the_Audition_episode_4_v3.mp3
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