Contrabass Conversations

double bass podcast

CBC 123: Klauss Stoll interview

June27

 
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This week, we’re featuring an interview with Klauss Stoll, the recently retired Principal Bass of the Berlin Philharmonic. He has taught for many years in Berlin, Salzburg, and in master classes worldwide, and is regarded as one of the finest teachers of the double bass alive today.

This interview was conducted by Jonathan Stefaniak, a former member of the Civic Orchestra who is now playing in an orchestra in Japan. Jonathan was recently working with Professor Stoll in a master class setting and had the opportunity to sit down and chat with him for the podcast.

In this interview, Jonathan and Klaus discuss Klaus’ early years on the instrument, his time spent in the Berlin Philharmonic, auditioning for co-principal and eventually first principal chair, his chamber duo, orchestral style, developments in eduction and the decline of the despotic maestro, the unique characteristics of the Berlin Philharmonic, and specifics about his teaching.

Learn more about Klaus at his website: klausstoll.com

Klaus also has a DVD for sale.

About Klaus Stoll:

Klaus Stoll, born in May 1943 in Rheydt / Germany, first played the violin, but at the age of twelve started playing the double bass which he was taught by his father Karl Stoll . During studies with Heinz Detering in Cologne he became a member of the Niederrheinische Sinfoniker in 1959. Six years later he joined the Berlin Philharmonic Orchestra, became co – principal bassist in 1967 and finally, in 1992 he became first soloist of this world famous orchestra.

In addition to his frequent appearances as soloist he has a long and worldwide career as chamber musician. Stoll premiered more than sixty new works for double bass solo and appeared at many renowned festivals (in Salzburg, Lucerne, Aldeburgh, Helsinki, Echternach, Santander, Rheingau, Tokyo, etc.). Klaus Stoll works with the Berlin Philharmonic Ensemble ” Berliner Barocksolisten ” and periodically together with great musicians like Heinz Holliger, Maurice Bourgue, Emanuel Pahud, Andras Schiff, Bruno Canino, Rainer Kussmaul, Christiane Jaccotet, Thomas Zehetmair, and Nicolaus Harnoncourt.

He has taught at the “Hochschule der Kuenste” ( HdK / UdK ) in Berlin from 1980 to 2000, as professor at the Hochschule Mozarteum in Salzburg from 1991 to 1998 and since 1992 he exclusively teaches at the ” Academy of Berlin Philharmonic Orchestra. He regulary held courses and masterclasses in Italy ( Milano , Ferrara , Fiesole ) , in Japan ( PMF) , for ten years between 1988 and 2004 at the Carl – Flesch – Academy in Baden – Baden , from 1991 to 1997 the summer academies in Salzburg and since 2003 he teaches at the Instrumenta in Puebla and Oaxaca / Mexico . Klaus Stoll is appointed professor h.c. of the Shanghai Conservatory of Music since 2005 and has taught in 18 countries of Europe , Asia and North and South America.

Since 2002 Klaus Stoll and his wife Ofelia hold courses and classes together in both main techniques, the French and the German Bow and in their languages German, English and Spanish for professional and junior bassists.

Guy Tuneh performs at 2009 Bodenseefestival

June23

This video features double bassist Guy Tuneh (former Contrabass Conversations guest) performing the Kirchensonate in Eb Major by Mozart for the 2009 Bodenseefestival. This recoding features Rainer Kussmaul and Aysen Ulucan (violins), Guy Tuneh (bass), and Christian Hommel (organ). Guy is a marvelous double bassist, captivating in both solo and chamber performances, and it is a pleasure to feqture his playing here on the blog!

Video Download Link (14 MB)

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CBC 117: Mark Morton interview 2

May9
 
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We’re concluding the interview that we began on CBC 114 with double bassist Mark Morton, who is currently professor of bass at Texas Tech University in Lubbock, TX and has also served as Principal Bass of the Columbus Symphony. Mark was the first prize winner at the International Society of Bassists Solo Competition, and he was the assistant double bass instructor for Gary Karr at the Hartt School of Music. He is well-known for writing and publishing the “Dr. Morton” series of books on the art of bass playing, and he is the founder of the American School of Double Bass.

We start this segment of our interview discussing Mark’s Simandl-Plus® approach and how it increases the number of techniques available to the modern bassist, as well as some specific examples in orchestra repertoire where these kind of techniques can be used. We also talk about when Mark starts using the third finger and the thumb on the neck, adopting a more flexible approach than advocated in Simandl technique. We also discuss melodic gestures and when to shift according to a particular gesture, lyrical and technical fingerings and when to use them, shifting strategies, the value of Simandl and how it teaches the “grid” of the fingerboard, Mark’s fingerboard mapping system, and some of his upcoming projects.
We also feature a recording this week of Mark playing the Gliere Tarantella from his album Russian Rendezvous, which is available from CD Baby or the iTunes Music Store.

I recommend downloading Mark’s Simandl-Plus® packet and following along with our discussion to get a more complete idea of how he implements these concepts.

This week, we discuss

Links: American School of Double Bass, Texas Tech School of Music

CBC 116: Lawrence Wolfe interview 3

April25
 
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Lawrence Wolfe.png We’re featuring the third and final part of our interview with Boston Symphony Assistant Principal Bass Lawrence Wolfe this week on Contrabass Conversations. I had a chance to check out a wonderful master class that Mr. Wolfe did at Northwestern in the fall of 2008, and I did a summary/synopsis of some of the concepts and ideas covered in this class as well. I’m really looking forward to chatting with Larry–he’s one of my favorite bassists, and listening endlessly to his solo record really shaped how I approach the double bass when I was in college.

Larry is one of the most influential bass players in the United States, having taught countless players during his years at New England Conservatory and other Boston academic institutions who are now in major orchestras or pursuing other successful musical endeavors.

We’re also featuring Jacob Druckman’s piece Valentine, one of the tracks from Larry’s solo album which was added upon the CD release and one which you’re really going to enjoy. Larry will be doing a presentation at this summer’s International Society of Bassists convention, which I am definitely looking forward to checking out. Be sure to check out Larry’s website as well!

The State of the Orchestra – new podcast with John Grillo

April23
 
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Double bassist and Contrabass Conversations co-host John Grillo recently recorded in the first of a new series of audio programs about the past, present, and future of the professional symphony orchestra. In this first episode, John interviews me about my book Road Warrior Without an Expense Account, which I hope you’ll find interesting. I also recorded a screencast of my Keynote presentation about this book, which I did in Sioux Falls, South Dakota during the summer of 2008. I wrote the blog posts that this book is based upon in early 2007. Enjoy!

CBC 115: Jeremy McCoy complete interview

April4
 
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We’re featuring the complete recording of our interview with Metropolitan Opera Orchestra Assistant Principal Bass Jeremy McCoy on this week’s Contrabass Conversations episode. Jeremy attended the Curtis Institute and was a member of the National Arts Centre Orchestra of Canada prior to his appointment with the Metropolitan Opera Orchestra. Jeremy and I discuss a wide variety of topics, including his early experiences on the instrument, life in the Met, thoughts on teaching, recording a solo album, and much more. We also feature excerpts from Jeremy’s solo album Dialogues with Double Bass.

link to Jeremy’s website

link to Jeremy’s Manhattan School of Music page

link to Jeremy’s album Dialogues with Double Bass

CBC 113: Lawrence Wolfe interview 2

March21
 
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Lawrence Wolfe double bass.png We’re featuring the second part of our interview with Boston Symphony Assistant Principal Bass Lawrence Wolfe this week on Contrabass Conversations. I had a chance to check out a wonderful master class that Mr. Wolfe did at Northwestern in the fall of 2008, and I did a summary/synopsis of some of the concepts and ideas covered in this class as well. I’m really looking forward to chatting with Larry–he’s one of my favorite bassists, and listening endlessly to his solo record really shaped how I approach the double bass when I was in college.

Larry is one of the most influential bass players in the United States, having taught countless players during his years at New England Conservatory and other Boston academic institutions who are now in major orchestras or pursuing other successful musical endeavors.

We’re also featuring the Gliere Scherzo and Koussevitzky Valse Miniature from Larry’s solo album, both of which you’re really going to enjoy. Larry will be doing a presentation at this summer’s International Society of Bassists convention, which I am definitely looking forward to checking out. Be sure to check out Larry’s website (which he is in the process of revamping – listen to the interview to learn more about this), and stay tuned for tour final segment of this interview very soon!

CBC 112: Max Dimoff interview 2

March14
 
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Max Dimoff double bass.pngContrabass Conversations Co-host John Grillo from classicalmusicnews.tv and I are concluding our interview with Cleveland Orchestra Principal Bass Max Dimoff this week. Before winning his job with the Cleveland Orchestra, Max served as Principal Bass of the San Antonio Symphony and Section Bass for the Grant Park Symphony and Seattle Symphony.

In this second segment of our interview with Max, we cover the use of rhythms in practicing solo and orchestral music, why he finds warm-up exercises useful, standing versus sitting, and audition preparation advice.

Max’s Warm-Ups

Max Dimoff Warm-Up Packet (PDF)

In addition to serving as Principal Bass with the Cleveland Orchestra, Max is on faculty at the Cleveland Institute of Music along with Jeff Bradetich, his former teacher from Northwestern University. Max and Jeff team teach the CIM bass studio in a very interesting arrangement which we discuss during our interview.

Max’s colleague Jeff Bradetich recently appeared on Contrabass Conversations as well. Here are links both to Jeff’s interview and to Jeff’s own technique packets, which may be interesting to delve into for listeners as well:

More interviews co-hosted by John Grillo:

Links:

CBC 111: Tubin Bass Concerto

March7

We’re featuring a different kind of podcast episode this week. Bassist Phillip Serna (who has appeared on several older Contrabass Conversations episodes) performed the Tubin Concerto with the Northwestern University Summer Orchestra a few years ago, and he’s been interested in making this performance available for download on the podcast. Since Tubin is a more contemporary composer than many of the other standard bass concerto composers, Phillip had to work out the podcast distribution rights with Tubin’s publisher Scandinavian Songs AB, so thanks to Phillip’s hard work in getting this taken care of we can offer a 100% legal complete performance of the Tubin Concerto for Double Bass.

Video Download Link (133 MB)

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CBC 110: Lawrence Wolfe interview

February28
 
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We’re featuring the first part of our interview with Boston Symphony Assistant Principal Bass Lawrence Wolfe this week on Contrabass Conversations. I had a chance to check out a wonderful master class that Mr. Wolfe did at Northwestern in the fall of 2008, and I did a summary/synopsis of some of the concepts and ideas covered in this class as well. I’m really looking forward to chatting with Larry–he’s one of my favorite bassists, and listening endlessly to his solo record really shaped how I approach the double bass when I was in college.

Larry is one of the most influential bass players in the United States, having taught countless players during his years at New England Conservatory and other Boston academic institutions who are now in major orchestras or pursuing other successful musical endeavors.

We’re also featuring the first movement of the Arpeggione Sonata from Larry’s solo album, which you’re really going to enjoy. Larry will be doing a presentation at this summer’s International Society of Bassists convention, which I am definitely looking forward to checking out. Be sure to check out Larry’s website (which he is in the process of revamping – listen to the interview to learn more about this), and stay tuned for the rest of this engaging conversation in the coming weeks!

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