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Contrabass Conversations

Contrabass Conversations

double bass podcast

1148: Georgia Wartel Collins on Practice, Texture, and Creative Freedom

Photo credit: Oscar Benjamin Berg

Bassist, improviser, and genre-crosser Georgia Wartel Collins joins us today to talk about the winding path that led her to New York, via Gothenburg, Trondheim, and Amsterdam, and how a deeply musical family shaped everything from early street performances to a life that’s always moved freely between styles. Georgia also shares how rock and grunge became real creative fuel alongside a love of melody, and why the upright bass, alive and changing every day, keeps offering new colors to chase.

Enjoy, and follow along with Georgia and her very cool work on her website and Instagram!

Thank you to our sponsor!

Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.

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  • Double Bass Merch

Gear used to record this podcast

  • Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
  • Rode Podmic
  • Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
  • Sony FE 16-35mm F2.8 GM Lens
  • Sony FE 24-70mm F2.8 GM Lens

When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.

Theme music by Eric Hochberg

https://traffic.libsyn.com/contrabassconversations/Georgia_Wartel_Collins_mixd.mp3

1147: Unsung Songs – David Bowden Goes Solo

Glasgow-based bassist David Bowden joins the show on release day for Unsung Songs, a solo double bass record shaped by years of gigging and arranging. David talks about coming up in London before moving to Glasgow for the Royal Conservatoire of Scotland, finding a creative home in Scotland’s close-knit jazz scene, and how folk music and “sounding like yourself” became central to the way he thinks about writing and playing.

We also talk solo bass, favorite recordings, right-hand technique, gear, touring, teaching, and new-parent life. Enjoy, and be sure to follow David on Instagram and YouTube!

Connect with DBHQ

  • Join Our Newsletter
  • Double Bass Resources
  • Double Bass Sheet Music
  • Double Bass Merch

Gear used to record this podcast

  • Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
  • Rode Podmic
  • Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
  • Sony FE 16-35mm F2.8 GM Lens
  • Sony FE 24-70mm F2.8 GM Lens

When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.

Theme music by Eric Hochberg

https://traffic.libsyn.com/contrabassconversations/David_Bowden_mixdown.mp3

1146: Twelve Bees in a Jar – Rosie Moon’s Dragonetti Waltzes on Three Strings

Rosie Moon joins us today to share the story behind *Twelve Bees In A Jar, her* multi-year Dragonetti project exploring his music on gut strings, a three-string bass, and a convex “Dragonetti” bow. Rosie talks about how a chance encounter with a bow at a UK bass shop kicked off a deep dive into historical equipment, technique, and the surprisingly big that happens when you take a string off the instrument.

Enjoy, and be sure to follow Rosie on her website, Instagram, and Facebook!

Connect with DBHQ

  • Join Our Newsletter
  • Double Bass Resources
  • Double Bass Sheet Music
  • Double Bass Merch

Gear used to record this podcast

  • Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
  • Rode Podmic
  • Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
  • Sony FE 16-35mm F2.8 GM Lens
  • Sony FE 24-70mm F2.8 GM Lens

When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.

Theme music by Eric Hochberg

https://traffic.libsyn.com/contrabassconversations/Rosie_Moon_mixdown.mp3

1145: Bowen Ha on his audition process

Bowen Ha joined the San Francisco Symphony at the start of the 2024–25 season after training at Juilliard with Timothy Cobb and Harold Robinson, and appearing as a substitute with major orchestras.

Born in Shanghai, Bowen’s path ran from piano to cello and finally to bass, through Interlochen, the Shanghai Conservatory’s affiliated program, and Juilliard.

We dig into the nuts-and-bolts of what changed between Bowen’s early pro auditions and his San Francisco win: obsessing over details and doing daily metronome work.

Enjoy, and connect with Bowen on Instagram and YouTube!

Connect with DBHQ

  • Join Our Newsletter
  • Double Bass Resources
  • Double Bass Sheet Music
  • Double Bass Merch

Gear used to record this podcast

  • Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
  • Rode Podmic
  • Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
  • Sony FE 16-35mm F2.8 GM Lens
  • Sony FE 24-70mm F2.8 GM Lens

When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.

Theme music by Eric Hochberg

https://traffic.libsyn.com/contrabassconversations/Bowen_Ha_mixdown.mp3

1144: John Goldsby on Big Band Bass

John Goldsby returns to the podcast to celebrate Big Band Bass, a project that spotlights the double bass at the front of the band alongside the legendary WDR Big Band and arranger/conductor Bob Mintzer. We talk about what it felt like to close a 30-year run in one of the world’s rare full-time jazz ensemble jobs, and how stepping away has opened up space for hand-picked gigs, home projects, and new recordings.

We dig into the album’s origin story—why Vince Mendoza’s “Sonatinita” is the lone non-Goldsby composition, how Bob Mintzer turned John’s “little ditties” into full-blown big band architecture, and what it’s like hearing your writing amplified by master arrangers. We also get nerdy (in the best way) about gear and sound: Spirocore light gauge vs. Gerald Genssler’s silk-core strings, recording with a Schoeps MK 41, using a Fishman Full Circle onstage, and the realities of earplugs and in-ears in a loud big band environment. Connect with John at john.goldsby.de and explore his work with Discover Double Bass.

Connect with DBHQ

  • Join Our Newsletter
  • Double Bass Resources
  • Double Bass Sheet Music
  • Double Bass Merch

Gear used to record this podcast

  • Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
  • Rode Podmic
  • Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
  • Sony FE 16-35mm F2.8 GM Lens
  • Sony FE 24-70mm F2.8 GM Lens

When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.

Theme music by Eric Hochberg

https://traffic.libsyn.com/contrabassconversations/John_Goldsby_2026_mixdown.mp3
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