Contrabass Conversations

Contrabass Conversations

double bass podcast

1156: SoJung Kim’s journey from Korea to the San Francisco Ballet Orchestra

SoJung Kim joins the podcast to share her journey from discovering the double bass in Korea to joining the San Francisco Ballet Orchestra. A graduate student at the Colburn Conservatory studying with Peter Lloyd, SoJung has performed with the One Korea Youth Orchestra and Orchestra Ensemble Seoul, spent summers at the Pacific Music Festival and Music Academy of the West, and first came to the instrument after hearing the deep resonance of a bass ensemble at her cousin’s concert.

We talk about SoJung’s move from solo repertoire into the world of orchestral excerpts, the wake-up call of studying alongside highly prepared Colburn colleagues, and the practice routines that helped her prepare for a massive San Francisco Opera and Ballet audition list. She shares why long tones and glissando work became central to her warm-up, how recording lessons and asking for feedback shaped her preparation, and what she has learned from playing Nutcracker and other ballet repertoire night after night. Enjoy, and check out the video version of this podcast here.

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Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.

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Theme music by Eric Hochberg

1155: Orion Miller on preparation, structure, and trusting the process

?Orion Miller? joins the podcast to talk about his path from growing up in New York City to joining the ?San Francisco Symphony? bass section. Orion studied at the ?Shepherd School of Music at Rice University? with Tim Pitts and spent formative summers at places like ?Tanglewood?, ?Music Academy of the West?, and ?Aspen Music Festival?.

We dig into Orion’s audition journey, including getting cut from the San Francisco Symphony preliminaries, rethinking how he prepared, and eventually winning the job after a trial week.

Orion shares the practice system that changed everything for him, from 25% tempo work and Galamian-style rhythms to mock auditions, detailed listening, score study, and learning to trust the process. We also talk about focus, phone distraction, sustainable preparation, life in the SFS bass section, and his advice to young bassists.

Listen, watch, and read this conversation in ?full audio and HD video on Double Bass HQ?.

1145: Bowen Ha on his audition process

Bowen Ha joined the San Francisco Symphony at the start of the 2024–25 season after training at Juilliard with Timothy Cobb and Harold Robinson, and appearing as a substitute with major orchestras.

Born in Shanghai, Bowen’s path ran from piano to cello and finally to bass, through Interlochen, the Shanghai Conservatory’s affiliated program, and Juilliard.

We dig into the nuts-and-bolts of what changed between Bowen’s early pro auditions and his San Francisco win: obsessing over details and doing daily metronome work.

Enjoy, and connect with Bowen on Instagram and YouTube!

Connect with DBHQ

Gear used to record this podcast

When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.

Theme music by Eric Hochberg

1117: Darren Sacks on teaching double bass

In this episode, we chat with Darren Sacks, a double bass audition coach, UMass Boston Associate Lecturer, and Greater Boston freelance bassist, to discuss winning strategies for double bass auditions.

Darren shares insights from his 9 years of coaching experience, during which he’s helped students gain acceptance into major youth orchestras like the Boston Youth Symphony (BYSO) and NEC Prep, summer festivals including Interlochen and BUTI Tanglewood, and undergraduate programs such as Northwestern’s Bienen School of Music.

Enjoy, and you can connect with Darren on his website.

Connect with DBHQ

Gear used to record this podcast

When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.

Thank you to our sponsors!

Upton Bass – From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

1115: Tim Rinehart on audition breakthroughs

Tim Rinehart is the Principal Double Bassist of the Oregon Symphony. A graduate of Rice University’s Shepherd School of Music, Tim studied with Paul Ellison while also earning a Bachelor of Science in Mathematics. He is the winner of the 2025 International Society of Bassists Orchestral Division Competition and has performed with numerous prestigious orchestras including the Boston Symphony, London Symphony, and Houston Symphony.

Tim shares his journey through multiple auditions in a single season, revealing the breakthrough preparation strategies that led to winning his current. He discusses mental performance techniques, systematic practice methods, committee expectations, his education with Paul Ellison at Rice University, and his new role with the Oregon Symphony.

Connect with Tim:

Connect with DBHQ:

Gear used to record this podcast:

When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.

Thank you to our sponsors!

Upton Bass – From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

Theme music by Eric Hochberg