Contrabass Conversations

Contrabass Conversations

double bass podcast

762: Jon McCullough-Benner on The Auditioning Bassist’s Tool Kit

Jon McCullough-Benner recently released a great new book called An Auditioning Double Bassist’s Tool Kit: Bowings, Fingerings, and Useful Tips for Standard Audition Repertoire.  In this book, he shares his wealth of knowledge learned over his years in a detailed and compelling fashion.

Jon joined the Milwaukee Symphony Orchestra as its Principal Bass in 2017 after serving as Principal Bass for the Oregon Symphony.  He also serves as the Assistant Principal Bass for the Grant Park Music Festival Orchestra and is an Artist-Faculty member of Roosevelt University’s Chicago College of Performing Arts.

Check out my YouTube review of this book here, and check out my 2017 conversation with Jon for more details about his background.  Enjoy!

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Check out my Beginner’s Classical Bass course, available exclusively from Discover Double Bass.

Thank you to our sponsors!

Dorico – Dorico helps you to write music notation, automatically producing printed results of exceptional quality — and plays it back with breathtaking realism. It is easy enough for anyone to learn, yet has hundreds of advanced notations, features, options and sounds to satisfy even the most demanding professionals.  With its streamlined, natural user interface, students and those with less experience in scoring can compose and arrange straight into Dorico, making learning the language of music notation much faster and more intuitive. Editing and making changes — such as instrument, time signature or key — are straightforward, with the notation instantly and correctly adapting to include them, reinforcing the learning outcome.

Ear Trumpet Labs – They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design — the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It’s durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine!

Practizma – The Practizma practice journal is packed with research based strategies to turn your ho-hum practice into extraordinary practice.  Develop your curiosity, discipline, creativity, daring, tenacity and zen.  Take a journey with four elements each week: goal setting, reflection prompt, action challenge, and journal pages to track your practice.  Curious? Download the introductory chapter of the journal for free – this gives you an idea of what it’s all about. 

Modacity – Are you a practice-savvy musician? Get Modacity – the music practice app that organizes, focuses, and tracks your progress.  Recorder… metronome… tone generator… timer… note taking… Do away with the random assortment of music practice apps in your arsenal. Modacity™ combines all the tools you need into one easy to use, music practice tool.  Organize, focus, and reflect on your practice – motivating you to increase retention in less time.  Modacity has a special offer for Contrabass Conversations listeners that includes lifetime access to the app.

Contrabass Conversations production team:

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755: Jeremy Watt on pandemic projects and auditioning later in life

Originally from Australia, Jeremy Watt spent 16 years freelancing through the UK and Europe, including stints as guest principal in Spanish, Norwegian and UK orchestras. Jeremy worked extensively with the UK’s finest ensembles, including the Philharmonia and London Symphony Orchestras.  In 2018, Jeremy obtained a permanent position with the City of Birmingham Symphony Orchestra.

During the pandemic, Jeremy carved out time from his frenetic schedule of pandemic-induced childcare to record himself playing all the parts of Colin Brumby’s Suite for Four Basses.  This turned out to be a surprisingly satisfying musical outlet for him.

We talk about this pandemic project, Jeremy’s background, the twists and turns of his career, what it’s like auditioning after 16 years of freelancing, and much more.

Enjoy, and be sure to check out Jeremy’s website and his recording of the Brumby Suite!

Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!

Check out my Beginner’s Classical Bass course, available exclusively from Discover Double Bass!

Thank you to our sponsors!

Dorico – Dorico helps you to write music notation, automatically producing printed results of exceptional quality — and plays it back with breathtaking realism. It is easy enough for anyone to learn, yet has hundreds of advanced notations, features, options and sounds to satisfy even the most demanding professionals.  With its streamlined, natural user interface, students and those with less experience in scoring can compose and arrange straight into Dorico, making learning the language of music notation much faster and more intuitive. Editing and making changes — such as instrument, time signature or key — are straightforward, with the notation instantly and correctly adapting to include them, reinforcing the learning outcome.

Ear Trumpet Labs – They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design — the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It’s durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine!

Practizma – The Practizma practice journal is packed with research based strategies to turn your ho-hum practice into extraordinary practice.  Develop your curiosity, discipline, creativity, daring, tenacity and zen.  Take a journey with four elements each week: goal setting, reflection prompt, action challenge, and journal pages to track your practice.  Curious? Download the introductory chapter of the journal for free – this gives you an idea of what it’s all about. 

Modacity – Are you a practice-savvy musician? Get Modacity – the music practice app that organizes, focuses, and tracks your progress.  Recorder… metronome… tone generator… timer… note taking… Do away with the random assortment of music practice apps in your arsenal. Modacity™ combines all the tools you need into one easy to use, music practice tool.  Organize, focus, and reflect on your practice – motivating you to increase retention in less time.  Modacity has a special offer for Contrabass Conversations listeners that includes lifetime access to the app.

Contrabass Conversations production team:

Subscribe to the podcast to get these interviews delivered to you automatically!

738: Ian Hallas on four auditions for the same ensemble

Ian Hallas has had quite a journey on the road to his position as Principal Bass of the Lyric Opera Orchestra.  We first spoke for the podcast in early 2016 after winning a section bass position, and he won three additional auditions for Lyric for title chairs.

We talk about what it’s like auditioning for another job in your same orchestra, how his audition process has evolved since our conversation four years ago, what he learned along the journey, and much more!  

Ian teaches bass privately and also for Northwestern University, so don’t hesitate to send him an email if you’d like to study with this incredible teacher! 

About Ian:

Ian Hallas began his tenure as Principal Bass of the Lyric Opera Orchestra in 2019 after joining the section in 2016. He holds a bachelor’s degree with Distinction in Research and Creativity from Rice University where he studied with Paul Ellison as well as a master’s degree from the University of Southern California under David Moore. He has also been heavily influenced by Chris Hanulik and Todd Seeber and has worked extensively with master luthier Mike Shank. In addition to the Lyric Opera, Ian has performed with the Los Angeles Philharmonic, the Detroit, Atlanta and Milwaukee Symphonies and the Grant Park Orchestra.

Ian was an award-winning fellow at the Tanglewood Music Center. He was also an invited guest chamber musician at Spoleto Festival USA where he performed with the St. Lawrence quartet and members of the Chamber Music Society of Lincoln Center. Additionally, he has attended the Aspen Music Festival, Music Academy of the West, and Domaine Forget Summer Music Academy. He serves on faculty at Northwestern’s Bienen School of Music and maintains a private studio on the north shore of Chicago. He also teaches at the National Music Festival and was a teaching assistant at the Double Bass Workshop at BUTI.

In his spare time, Ian enjoys running, laughing and spending time with his wife, playing with his two Siberian Forest cats and expanding his bourbon collection. 

Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!

Check out my Beginner’s Classical Bass course, available exclusively from Discover Double Bass!

Thank you to our sponsors!

Ear Trumpet Labs – They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design — the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It’s durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine!

Practizma – The Practizma practice journal is packed with research based strategies to turn your ho-hum practice into extraordinary practice.  Develop your curiosity, discipline, creativity, daring, tenacity and zen.  Take a journey with four elements each week: goal setting, reflection prompt, action challenge, and journal pages to track your practice.  Curious? Download the introductory chapter of the journal for free – this gives you an idea of what it’s all about. 

Modacity – Are you a practice-savvy musician? Get Modacity – the music practice app that organizes, focuses, and tracks your progress.  Recorder… metronome… tone generator… timer… note taking… Do away with the random assortment of music practice apps in your arsenal. Modacity™ combines all the tools you need into one easy to use, music practice tool.  Organize, focus, and reflect on your practice – motivating you to increase retention in less time.  Modacity has a special offer for Contrabass Conversations listeners that includes lifetime access to the app.

Contrabass Conversations production team:

Subscribe to the podcast to get these interviews delivered to you automatically!

726: Jason Haahiem on how to actually improve

Jason Haaheim’s path to his current position as principal timpanist of the Metropolitan Opera Orchestra is unconventional and inspiring.  He didn’t go to music school, instead working for 10 years as an engineer and researcher for a Chicago-based nanotechnology startup.

Through the principles of deliberate practice, Jason set out on a long journey of continual improvement in his playing, ultimately winning an audition for his current position.

We dig into a ton of topics, like our shared time spent freelancing in Chicago, discovering deliberate practice, the groundbreaking work of Anders Ericsson and his impact on Jason, realities of life in the MET Orchestra, the two fascinating podcasts he did on The Bulletproof Musician, and much more.

Enjoy, and be sure to check out Jason’s website for more great content on deliberate practice and information about his next upcoming Deliberate Practice Bootcamp Online!

Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!

Contrabass Conversations production team:

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718: Brendan Fitzgerald on audition prep

Brendan Fitzgerald has come up with an audition preparation strategy that has upped his level of consistency.  Brendan joined the St. Louis Symphony Orchestra in 2019 after spending two seasons with the Seattle Symphony, and he is set to do a trial with the Minnesota Orchestra.

We talk through his audition prep method extensively, and we also feature excerpts from Brendan that he recorded while preparing an audition tape.  Enjoy, and be sure to also check him out on this recent podcast by Ryan Beach.  

Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!

Contrabass Conversations production team:

Subscribe to the podcast to get these interviews delivered to you automatically!