double bass podcast
It was great to chat with Miles Brown about what it’s like playing with Alarm Will Sound, learning massively complicated music for this group, and how to be versatile in today’s music world!
Miles ran the after hours sessions for ISB 2017, and he just took a new position at the University of Delaware after overseeing the jazz department at Oakland University in Michigan.
Cleveland Orchestra principal bassist Max Dimoff and Time for Three bassist Ranaan Meyer are the new teaching team at the University of Michigan! Both Max and Ranaan have been featured on past podcast episodes as well as in my 2016 book Winning the Audition.
Orin O’Brien
credit: Henry Grossman
It is an honor and a pleasure to welcome Orin O’Brien to the show! I’ve been hoping to have Orin as a guest for years, and I want to give a big shout-out to Chris Mathers for connecting the two of us!
We chat about numerous shared acquaintances, including Greg Sarchet, Miloslov Gajdos, David Grossman, Ira Gold, Ed Barker, Hal Robinson, Max Dimoff, Michael Hovnanian, Douglas Mapp, and Ron Wasserman.
New York Philharmonic bassist Orin O’Brien was born in Hollywood to parents in the film industry, George O’Brien and Marguerite Churchill, and received her early musical training in Los Angeles, where she studied with Milton Kestenbaum and Herman Reinshagen. She then studied in New York with Frederick Zimmermann and graduated from The Juilliard School, and is an alumna of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy.
Jennifer Rosenfeld is a leader in the world of music entrepreneurship and has been helping musicians “level up” their career since 2009.
Dennis Tobenski is a composer of acoustic new music whose work has been described by Anthony Tommasini of The New York Times as “distinctive and engaging”. He is also a vocalist and a strong advocate for new music and for the interests of living composers.
Dennis also hosts two music business-centered podcasts aimed at helping composers and performers to learn more about the practical aspects of their careers: the Music Publishing Podcast, a weekly, hour-long conversation with other professionals in the field of concert music, and The Composer’s Guide to Doing Business, where he answers questions and discusses current issues the new music community.
