Interview Guests – Page 120

260: Break into the Scene with Seth Hanes

Seth Hanes

Seth Hanes is a horn player, digital marketing consultant, and the author of the new book, Break into the Scene: A Musician’s Guide to Making Connections, Creating Opportunities, and Launching a Career, which is available now on Amazon. If you want to check out some free email templates that will help you pick up gigs and some other bonuses, visit breakintothescene.com.

We talk:

how to get more gigs
working with contractors
how to market and self-promote
working for free as a tactic

Break into the Scene hit #1 in Amazon’s music business category within days of its launch. Check it out–it’s a great read and full of actionable advice!

Thanks to our sponsor!

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259: Trevor Davis on his luthier path

Trevor Davis Double Bass

Spread and focus.

That’s what Trevor Davis thinks about as he makes his basses.

257: Sandor Ostlund on musical influences, practicing, and career possibilities

Sandor Ostlund

Our teachers shape us more than we realize. Having the right teacher is critical for achieving our goals.

Sandor Ostlund has had a staggering set of quality teachers throughout his life journey.

First, he studied with Hans Sturm. Then he worked with Richard Davis. From there, he found his way to Paris to study with François Rabbath. In Paris, he met Paul Ellison, with whom Sandor would study with for his DMA. In fact, Sandor was the first student to every receive his DMA with Paul at Rice University.

Talk about a great set of musical role models!

Sandor has gone on to have a major impact in the world of the double bass. He teaches bass at Baylor University, works as a clinician across the United States, and has released a fantastic solo album of new works for the double bass.

We dig into all kinds of topics:

how Sandor continues to find inspiration
lessons Sandor learned from Paul, François, Richard, and Hans
what to do if you only have an hour to practice
finding your path in the music world

…and much more!

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Links:

Sandor’s website

Leap of Faith (album)

Thanks to our sponsor!

Enter the D’Addario strings giveaway for Contrabass Conversations listeners at contrabassconversations.com/strings!

256: Shinji Eshima on pit experiences, David Walter, and composing for the ballet

Shinji Eshima

Most musicians don’t have a day dedicated to them in their hometown.

Shinji Eshima does. In 2011, the city of Berkeley, California named the day December 6th Shinji Eshima Day, in his honor for his contributions to the arts.

Even fewer musicians play an instrument featured in a Degas painting.

But Shinji Eshima does. His Plumerel bass is the very same instrument painted by Degas in L’Orchestre de l’Opera.

Shinji’s impact on the double bass world has been tremendous. He has performed with the San Francisco Ballet and San Francisco Opera Orchestras for decades.

He teaches at San Francisco State University and the San Francisco Conservatory of Music. His students have gone on to perform with the San Francisco Symphony, Utah Symphony, London Philharmonia, Montreal Symphony and the Concertgebouw of Amsterdam

But Shinji is also a composer… and what a composer!

In 2011, the San Francisco Ballet commissioned him to write a ballet. RAkU was the result, and it has been performed across the globe by the San Francisco Ballet. RAkU has also joined the repertoire of The Joffrey Ballet. Swimmer, his third ballet for the San Francisco Ballet, premiered in 2015.

We talk about Shinji’s early years on the instrument, studying with David Walter, performing in the pit, getting into composing, and much more!

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Links to check out

If It’s Tuesday it Must be Up-Bow from Soliloquy album (performed by Patrick Neher)

San Francisco Ballet in RAkU (YouTube)

RAkU: A Conversation with Shinji Eshima (YouTube)

Swimmer – ballet composed by Shinji Eshima (YouTube)

Shinji’s 1843 Plumerl double bass as portrayed by Degas in Orchestra of the Opera

Thanks to our sponsor!

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Listener feedback links:

254: Craig Butterfield on careers, ProTools, and American roots music

Craig Butterfield loved Edgar Meyer’s bass playing ever since discovering it.

Lately, he has been following in Edger’s footsteps. Performing American roots music with mandolinist Jesse Jones is now a key creative outlet.

Craig also teaches at the University of South Carolina. He shows young bassists how to hone their technique to explore creative new paths.

But that’s not it.

Craig also loves recording. He mixes and masters his own recordings in ProTools. His popular YouTube overdub videos have gotten tens of thousands of views.

We talk about: