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Contrabass Conversations

Contrabass Conversations

double bass podcast

257: Sandor Ostlund on musical influences, practicing, and career possibilities

Sandor Ostlund

Our teachers shape us more than we realize. Having the right teacher is critical for achieving our goals.

Sandor Ostlund has had a staggering set of quality teachers throughout his life journey.

First, he studied with Hans Sturm. Then he worked with Richard Davis. From there, he found his way to Paris to study with François Rabbath. In Paris, he met Paul Ellison, with whom Sandor would study with for his DMA. In fact, Sandor was the first student to every receive his DMA with Paul at Rice University.

Talk about a great set of musical role models!

Sandor has gone on to have a major impact in the world of the double bass. He teaches bass at Baylor University, works as a clinician across the United States, and has released a fantastic solo album of new works for the double bass.

We dig into all kinds of topics:

  • how Sandor continues to find inspiration
  • lessons Sandor learned from Paul, François, Richard, and Hans
  • what to do if you only have an hour to practice
  • finding your path in the music world

…and much more!

Subscribe to the podcast and get these interviews delivered to you automatically! 

Links:

Sandor’s website

Leap of Faith (album)

Thanks to our sponsor!

This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.

Enter the D’Addario strings giveaway for Contrabass Conversations listeners at contrabassconversations.com/strings!

 

http://traffic.libsyn.com/contrabassconversations/CBC_257_-_Sandor_Ostlund_Interview.mp3

256: Shinji Eshima on pit experiences, David Walter, and composing for the ballet

Shinji Eshima

Most musicians don’t have a day dedicated to them in their hometown.

Shinji Eshima does. In 2011, the city of Berkeley, California named the day December 6th Shinji Eshima Day, in his honor for his contributions to the arts.

Even fewer musicians play an instrument featured in a Degas painting.

But Shinji Eshima does. His Plumerel bass is the very same instrument painted by Degas in L’Orchestre de l’Opera.

Shinji’s impact on the double bass world has been tremendous. He has performed with the San Francisco Ballet and San Francisco Opera Orchestras for decades.

He teaches at San Francisco State University and the San Francisco Conservatory of Music. His students have gone on to perform with the San Francisco Symphony, Utah Symphony, London Philharmonia, Montreal Symphony and the Concertgebouw of Amsterdam

But Shinji is also a composer… and what a composer!

In 2011, the San Francisco Ballet commissioned him to write a ballet. RAkU was the result, and it has been performed across the globe by the San Francisco Ballet. RAkU has also joined the repertoire of The Joffrey Ballet. Swimmer, his third ballet for the San Francisco Ballet, premiered in 2015.

We talk about Shinji’s early years on the instrument, studying with David Walter, performing in the pit, getting into composing, and much more!

Subscribe to the podcast and get these interviews delivered to you automatically! 

Links to check out

If It’s Tuesday it Must be Up-Bow from Soliloquy album (performed by Patrick Neher)

San Francisco Ballet in RAkU (YouTube)

RAkU: A Conversation with Shinji Eshima (YouTube)

Swimmer – ballet composed by Shinji Eshima (YouTube)

Shinji’s 1843 Plumerl double bass as portrayed by Degas in Orchestra of the Opera

Thanks to our sponsor!

This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.

Enter the D’Addario strings giveaway for Contrabass Conversations listeners at contrabassconversations.com/strings!

 

Listener feedback links:

  • Ray Parker – bassist
  • Ira Gold’s new project on mockauditions.com
  • Jason’s appearance on The Entrepreneurial Musician
  • Jason’s appearance on A Musical Life
http://traffic.libsyn.com/contrabassconversations/CBC_256_-_Shinji_Eshima_Interview.mp3

254: Craig Butterfield on careers, ProTools, and American roots music

Craig Butterfield loved Edgar Meyer’s bass playing ever since discovering it.

Lately, he has been following in Edger’s footsteps. Performing American roots music with mandolinist Jesse Jones is now a key creative outlet.

Craig also teaches at the University of South Carolina. He shows young bassists how to hone their technique to explore creative new paths.

But that’s not it.

Craig also loves recording. He mixes and masters his own recordings in ProTools. His popular YouTube overdub videos have gotten tens of thousands of views.

We talk about:

  • his time studying with Jeff Bradetich at the University of North Texas
  • touring with Maynard Ferguson
  • career opportunities for musicians

…and much more!

Subscribe to the podcast to get these interviews delivered to your inbox! 

Links to check out:

Craig’s website

Craig’s YouTube Channel

Pisces (new album with Jesse Jones)

Stickerfoot (album with Jesse Jones)

http://traffic.libsyn.com/contrabassconversations/CBC_255_-_Craig_Butterfield_Interview.mp3

253: Corey Brown on No Treble, Jaco Pastorius, and the opportunity of being first

Corey Brown

Corey Brown started out on the “traditional” music school path.

Starting out at the University of North Texas, Corey left and became a graphic designer. He began developing on the web in the early 1990s.

Fast forward a few years, and he created Squidoo with bestselling author Seth Godin. Squidoo became one of the most-visited websites ever with over 85 million monthly visits.

Corey fused his passion for the bass with his passion for the web in unexpected and impactful ways.

First, he created and ran the official Jaco Pastorius web site, working on it from 2002 to 2007 and again in 2014.

Next, worked on the Portrait of Jaco… the Early Years box set. He designined and produced the packaging for the release in 2003.

But Corey wasn’t done with innovating for the bass.

In 2008, he founded no treble, which turned into the most popular online bass magazine on the web.

With over a dozen regular contributors and hundreds of thousands of monthly visits, no treble has re shaped the way bassists worldwide connect with and learn from each other.

Learn about Corey’s fascinating career fusion of music and design in this interview!

Subscribe to the podcast to get these interviews delivered to your inbox!

Links to check out:

no treble

Corey’s blog

Corey’s web consulting

Corey on Facebook

Corey on Twitter

Corey on LinkedIn

http://traffic.libsyn.com/contrabassconversations/CBC_254_-_Corey_Brown_Interview.mp3

252: Nina DeCesare on injuries, auditioning, and George Vance

Nina DeCesare

Nina DeCesare‘s creative musical quest is inspiring.

First, she won the 14 and under International Society of Bassists solo competition. Then she won it again for the 15-18 division.

She studied at Rice University, Tanglewood, and Domaine Forget. Also, she won a scholarship to study with François Rabbath in Paris. Nina ended her time at Rice by winning a position with the Oregon Symphony.

She has done more in her brief career than many do in their entire life.

But it hasn’t always been easy for her.

In fact, she went through a serious playing injury during her time at Rice University.

Her bass playing ground to a halt for months.

But through careful analysis, she changed her approach to the bass. She problem-solved her way out of the injury and changed her approach to the bass in the process.

We talk about what it was like studying with George Vance and Paul Ellison, playing in Portland bars, thoughts on training as a soloist versus as an orchestra player, and much more!

Subscribe to the podcast to get these interviews delivered to your inbox! 

Links to check out:

Nina’s Website

Nina’s YouTube Channel

How an Injury Saved my Playing (blog post by Nina)

Too many young double bassists prioritise solo technique over orchestral expertise (by Chi-Chi Nwanoku – from The Strad)

http://traffic.libsyn.com/contrabassconversations/CBC_253_-_Nina_DeCesare_Interview.mp3
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