We’re chatting with Metropolitan Opera Orchestra Assistant Principal Bass Jeremy McCoy on this week’s Contrabass Conversations episode. Jeremy attended the Curtis Institute and was a member of the National Arts Centre Orchestra of Canada prior to his appointment with the Metropolitan Opera Orchestra. Jeremy and I discuss a wide variety of topics, including his early experiences on the instrument, life in the Met, thoughts on teaching, recording a solo album, and much more. We’ll conclude this two-part interview in the coming weeks. Enjoy!
CBC 101: Jeff Bradetich interview
It is a real pleasure to be able to put out this interview with University of North Texas and Cleveland Institute of Music faculty member Jeff Bradetich. Jeff was a huge influence on my early development, and I continue to use the principles he taught me in my own teaching and performing each and every day.
We get really “inside baseball” on some technical considerations for the bass in this interview, which I’m sure you’ll enjoy, and we also feature a track of Jeff performing the Czardas by Vittorio Monti from his excellent album Portraits. We’ll conclude this interview in the next few weeks and really get into Jeff’s exciting new double bass foundation, which you can learn more about at www.bradetichfoundation.org. Enjoy!
CBC 99: Jeremy Kurtz interview
We’re featuring an interview with San Diego Symphony Principal Bass Jeremy Kurtz on this week’s episode. Jeremy was a student of Hal Robinson at Curtis and Tim Pitts at Rice University, and he also spent two years in the New World Symphony prior to his appointment with the San Diego Symphony. His solo album Sonatas and Meditations, which will be will be available by the time you hear this episode, can be purchased through the new International Society of Bassists store at www.ISBstore.com. You can learn more about Jeremy at his website jeremykurtz.com.
Tracks from Sonatas and Meditations featured:
David Anderson Sonata for Double Bass and Piano Luis Prado Meditation 1
About Our Sponsor:
The String Emporium specializes in upright, double basses. They pride themselves on offering only the very best upright basses. Whether you are looking for the finest antique bass, a new carved bass, or even entry level student basses, they have the best basses and the most affordable prices found anywhere. They also sell bass covers, flight cases, bows and bass related accessories. Check them out online at www.stringemporium.com.
CBC 91: Barry Lieberman interview part 2
We’re concluding our interview with double bassist Barry Lieberman. The former Assistant Principal Bass of the Los Angeles Philharmonic and Principal Bass of the Winnipeg Symphony, Barry now serves as co-director of The American String Project, an innovative string ensemble which features arrangements of string quartets for small string ensemble with double bass.
On today’s episode, Barry (pictured here with his John Lott double bass) discusses the arranging process that he goes through for the American String Project, his recording of the Vivaldi Cello Sonatas, and his beautiful Maggini bass.
About Barry:
Barry Lieberman is now in his sixteenth year as double bass faculty at the University of Washington. He began his career at age 21 as principal bass of the Winnipeg Symphony. In 1976 Zubin Mehta appointed him associate principal bass of the Los Angeles Philharmonic, a post he held for sixteen years.
Lieberman has been a regular performer with Chamber Music Northwest, Music From Angel Fire, the International Festival in Seattle, Bravo Colorado, Bargemusic, the Seattle Chamber Music Festival, and Mostly Mozart, and served as Principal Bass of the Colorado Music Festival in Boulder, Colorado. Most recently Lieberman performed with the Orpheus Chamber Orchestra, both in New York City and on tour in Europe. He has also performed with and toured the Far East, Europe, and the U.S. with the Mostly Mozart chamber orchestra.
CBC 90: Barry Lieberman interview part 1
This week, we’re featuring an interview with double bassist Barry Lieberman. The former Assistant Principal Bass of the Los Angeles Philharmonic and Principal Bass of the Winnipeg Symphony, Barry now serves as co-director of The American String Project, an innovative string ensemble which features arrangements of string quartets for small string ensemble with double bass.
On today’s episode, Barry discusses his early years on the instrument, his time spent as principal bass of the Winnipeg Symphony and assistant principal bass of the Los Angeles Philharmonic, and the formation of The American String Project.
About Barry:
Barry Lieberman is now in his fifteenth year as double bass faculty at the University of Washington. He began his career at age 21 as principal bass of the Winnipeg Symphony. In 1976 Zubin Mehta appointed him associate principal bass of the Los Angeles Philharmonic, a post he held for sixteen years.
Lieberman has been a regular performer with Chamber Music Northwest, Music From Angel Fire, the International Festival in Seattle, Bravo Colorado, Bargemusic, the Seattle Chamber Music Festival, and Mostly Mozart, and served as Principal Bass of the Colorado Music Festival in Boulder, Colorado. Most recently Lieberman performed with the Orpheus Chamber Orchestra, both in New York City and on tour in Europe. He has also performed with and toured the Far East, Europe, and the U.S. with the Mostly Mozart chamber orchestra.
- Prev Page...
- 1
- …
- 142
- 143
- 144
- 145
- 146
- …
- 162
- ...Next Page