Interview Guests – Page 161

CBC 69: Chris Threlkeld-Wiegand interview

We’re chatting with double bass luthier and Heartland String Bass Shop owner Chris Threlkeld-Wiegand today on the Contrabass Conversations podcast. Chris formerly worked at Robertson and Sons Violins before starting his own shop, and he makes extensions and does repair work in addition to crafting his own unique instruments.

It was a real pleasure to sit down and chat with Chris. I own a low B extension on my Jakstadt bass that Chris crafted, and it is a really excellent piece of hardware. I’ve also enjoyed playing on his various double basses, and I’ll be excited to see how he continues to push the boundaries of instrument making and come up with new and innovative ways of crafting double basses.

We’re also featuring a track from University of Iowa bass professor Volkan Orhon performed on one of Chris’ instruments. Check out the photos below for samples of Chris’ work. More photos, plus detailed information about the Heartland String Bass Shop and contact information for Chris can be found at www.heartlandsbs.com. Enjoy!

CBC 68: Owen Lee interview part 3

This is an interview-only Contrabass Conversations episode concluding our chat with Cincinnati Symphony Principal Bassist Owen Lee. We chat about practicing, summer festivals, recording yourself when preparing for auditions, and much more. To hear the first two segments of this interview plus several musical selections featuring Owen, check out episodes 55 and 66 of the show. Enjoy!

CBC 67: Anthony Stoops interview

Text transcript available!

We’re chatting with double bassist Anthony Stoops today on Contrabass Conversations. Anthony is the Artist/Teacher of Bass and String Area Chair at the University of Oklahoma School of Music. He also won first prize in the International Society of Bassists international solo competition and is the past recipient of a Karr Foundation double bass. Learn more about Anthony by visiting his website at anthonystoops.com.

We’re also featuring Anthony performing the Pieces en Concert by Couperin, plus some listener feedback, bass news, and shout-outs to some of our Facebook group members. Enjoy!

CBC 66: Owen Lee interview and music 2

We’re continuing our chat with Cincinnati Symphony principal bassist Owen Lee today on Contrabass Conversations. Check out the first segment of this conversation on episode 55 of the program. Owen played for the New World Symphony and the Houston Symphony prior to his appointment with the Cincinnati Symphony, and it was a real pleasure to do this interview along with Contrabass Conversations regular collaborator John Grillo.

John, Owen, and I chat about Owen’s experiences recording his solo CD, key selection for the Bach Suites and his use of solo tuning for the recording, his performances of the less popular but extremely engaging Bottesini Concerto No. 1, performing the Tubin Concerto with orchestra, the Harbison Bass Concerto project (which Owen performed with the Cincinnati Symphony), and his practicing habits and exercises.

We also feature the first movement from the Cello Suite No. 5 by Johann Sebastian Bach from Owen’s Boston Records CD, plus listener feedback, bass news, and a link of the week.

Learn more about Owen at www.myspace.com/owenleedoublebass. Enjoy!

CBC 65: Peter Seymour interview 2 and music from Project

We’re wrapping up our interview with double bassist Peter Seymour this week on Contrabass Conversations. We began this interview on episode 53, so be sure to check this episode out if you missed it! Peter has performed for the New World Symphony and spent a season playing with the Cleveland Orchestra, and he is now involved with an exciting new trio called Project. This group is made up of Peter on bass, Eric Stephenson on cello, and Greg Patillo on flute. Learn more about Project at projecttrio.com.

This episode, we discuss:

how Project (which is both a group and a nonprofit organization) came to be
playing in the style of today
their upcoming Brooklyn Philharmonic presentation
how although classical musicians are some of the most creative people out there, we can be very passive professionally
how Project for Peter is a full-on business
how the wide network of contacts he’s made over the years in professional orchestras across the country are paying off now with Project
similarities between the orchestral path and what Peter’s doing with Project in terms of outlook and work ethic
balancing the administration of Project with practicing and finding time to continue to grow musically

Although Peter has focused on obtaining a position in a major orchestra for many years, he is now focused on creating new creative outlets with Project, and his decision to strike out on his own with this great trio is an example of musical entrepreneurship at its finest. Be sure to pick up a copy of Winter in June, the new release from this killer trio. Enjoy!