This “best of” episode features Berlin Philharmonic principal bassist Matthew McDonald. Enjoy, and check out the original episode from 2016 here.Continue Reading …
424: Matthew McDonald (from the archives)
423: Ron Carter (from the archives)
This “best of” episode features composer, teacher, and bassist Ron Carter. Enjoy, and check out the original episode from 2016 here.
About Ron Carter
Ron Carter is among the most original, prolific, and influential bassists in jazz. With more than 2,000 albums to his credit, he has recorded with many of music’s greats: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons. In the early 1960s he performed throughout the United States in concert halls and nightclubs with Jaki Byard and Eric Dolphy.
He later toured Europe with Cannonball Adderley. From 1963 to 1968, he was a member of the classic and acclaimed Miles Davis Quintet. He was named Outstanding Bassist of the Decade by the Detroit News, Jazz Bassist of the Year by Downbeat magazine, and Most Valuable Player by the National Academy of Recording Arts and Sciences. In 1993 Ron Carter earned a Grammy award for Best Jazz Instrumental Group, the Miles Davis Tribute Band and another Grammy in 1998 for Call ‘Sheet Blues’, an instrumental composition from the film ‘Round Midnight.
In addition to scoring and arranging music for many films, including some projects for Public Broadcasting System, Carter has composed music for A Gathering of Old Men, starring Lou Gosset Jr., The Passion of Beatrice directed by Bertrand Tavernier, and Blind Faith starring Courtney B. Vance. Carter shares his expertise in the series of books he authored, among which are Building Jazz Bass Lines and The Music of Ron Carter; the latter contains 130 of his published and recorded compositions.
Carter earned a bachelor of music degree from the Eastman School in Rochester and a master’s degree in double bass from the Manhattan School of Music in New York City. He has also received four honorary doctorates, from the New England Conservatory of Music and the Manhattan School of Music, and was the 2002 recipient of the prestigious Hutchinson Award from the Eastman School at the University of Rochester. Most recently he was honored by the French Minister of Culture with France’s premier cultural award–the medallion and title of Commander of the Order of Arts and Letters, given to those who have distinguished themselves in the domain of artistic or literary creation and for their contribution to the spread of arts and letters in France and the world.
Carter has lectured, conducted, and performed at clinics and master classes, instructing jazz ensembles and teaching the business of music at numerous universities. He was Artistic Director of the Thelonious Monk Institute of Jazz Studies while it was located in Boston and, after 18 years on the faculty of the Music Department of The City College of New York, he is now Distinguished Professor Emeritus although, as a performer, he remains as active as ever.
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421: Bert Turetzky (from the archives)
This “best of” episode features double bassist and contemporary music pioneer Bert Turetzky. Enjoy, and check out the original episode from 2016 here.
About Bert Turetzky
Bertram Turetzky has been a distinguished clinician and pedagogue for over three decades, giving master classes, seminars, and workshops nationally and internationally. His knowledge of repertoire, performance style, and his unique approach to technical, psychological, and physical problems has made him a highly sought-after teacher. His master classes have been referred to as “life-altering.”
Turetzky has been a featured contrabass soloist in the music centers of the United States, Europe, Latin America and Australia. The response to his many concerts, recordings, lectures, writings and his unique sonic vocabulary has taken the contrabass from it’s traditional role to assume the position of a major solo instrument. More than 300 compositions have been written for, performed by, and recorded by Turetzky, making him one of the few performers, in all of music history, to have created a large and impressive repertoire of music for his instrument.
He is is a prolific recording artist and has recorded for Nonesuch, Finnador, Son Nova, Desto, Music and Art, Incus, 9 winds, Advance, Vanguard, New World, and others as soloist, improvisor, chamber player, Jazz player, orchestra player, and Klezmer artist. He is also an acclaimed scholar/researcher in the fields of Jazz History, 18th Century Chamber Music and the author of many reviews, articles and the now classic book “The Contemporary Contrabass.”
After the success of his book, Turetzky was named co-editor of “The New Instrumentation Series” [UC Press]. He is also a published composer, editor, transcriber and arranger of music for his instrument. His compositions are published, reviewed and recorded. Turetzky has also received many awards for composition from ASCAP plus grants from the NEA and Meet the Composer as well as many commissions.
Halloween Special: The Curse of the Dittersdorf starring James VanDemark
Can a piece of music be cursed?
After hearing this tale of repeatedly bizarre circumstances surrounding James VanDemark‘s repeated Dittersdorf Concerto performances, you’ll be asking that same question!
A big thank you to James for his idea for this episode, and be sure to check out James’ past podcast appearance for more about his career as a double bass performer and teacher.
419: Andrés Martín (from the archives)
This “best of” episode features composer, teacher, and bassist Andrés Martín. Enjoy, and check out the original episode from 2016 here.
About Andrés Martín
Native of Buenos Aires, Argentina, bassist, arranger, and composer Andrés Martín has performed with orchestras and chamber ensembles in Argentina, Costa Rica, Venezuela, Brazil, Mexico, England, Germany and United States. Since his arrival in Tijuana (Mexico), Andrés has been immersed in teaching as well as performing as a soloist and chamber musician. He is a member of the “Orquesta de Baja California” and “Cuatro para Tango”, a chamber ensemble with whom he has released four recordings.
He also organizes and directs Contrabajos de Baja California A.C., a Double Bass academy who celebrates an international double bass festival and chamber music course held in Tijuana every summer. As a composer and arranger, he works with a wide language which ranges from contemporary techniques to tango and rock. His work has been performed and recorded by very successful orchestras, ensembles, and soloists in Mexico, Argentina, Colombia, Germany, Italy, Denmark, Netherlands, Japan and the United States.Continue Reading …
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