Contrabass Conversations

Contrabass Conversations

double bass podcast

1046: Sam Suggs on his double bass journey

Sam Suggs is the first solo bassist in 36 years to join the Concert Artists Guild roster, and was recently recognized with an award for Extraordinary Creativity at the 2017 Bradetich Foundation International Double Bass Competition.

We dig into his unique path from a strong piano background in Buffalo, through Northwestern University, where he studied both performance and theory, to his time at Yale, focusing on contemporary music. We also explore Sam’s philosophy on concert programming and the importance of engaging the audience. 

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Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it’s the best bass rosin available. It’s appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance.  Learn more about Upton’s rosin, basses, and more at uptonbass.com.

860: Composing new music for double bass

My Intermediate to Advanced Classical Bass course with Discover Double Bass featured compositions from seven of the most exciting composers writing for double bass.

In this episode, we talk with the composers about writing for double bass and the stories behind the pieces they wrote for this course.  Enjoy, and be sure to check out these seven great composers through these links:

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Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists.

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Check out my Beginner’s Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.

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Upton Bass String Instrument Company – Upton’s Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.

Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.

Ear Trumpet Labs – They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design — the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It’s durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine!

Contrabass Conversations production team:

242: Sam Suggs on Music Cognition, Jamming in Bars, and the Elements of Execution

Sam Suggs

Sam Suggs calls himself an omnivorous musician.

I love this tagline.

I feel like I’m eating at a fantastic fusion restaurant when I hear Sam’s music.  I’m not expecting these flavors to work, but they are so good together.

First, he takes a little 1750s galant style.

Next, he adds a dash of Verdi.

He finally tops it off with—I kid you not—Skrillex and Daft Punk.

Then he marches over to a bar and gives it a battle test in front of the patrons.

Best of all, he does this without a looping pedal in sight.

Learn more about how he works his magic in this interview.

Sam is also kicking off the upcoming International Society of Bassists convention.  We dig into what he’s planning in our chat, and I know you’ll love what he’s got in the works.

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Resources we covered in this interview:

Sam’s website

Sam’s YouTube channel

Study with Sam at James Madison University

Music in the Galant Style by Robert Gjerdingen (book recommendation)