We’re featuring an interview with jazz bassist Rufus Reid on this week’s episode of Contrabass Conversations. This interview was conducted by guest host Win Hinkle, a former member of the Florida Symphony Orchestra (this orchestra dissolved in 1993) who also worked in Florida as a trombonist, electric bassist, and double bassist, including a lot of time at Walt Disney World.
Rufus Reid is, without a doubt, one of the most influential bassists working in jazz today, and he has had a significant impact on double bass performance and pedagogy throughout his career. His book The Evolving Bassist was one of the earliest of the contemporary generation of double bass method books, and it continues to be a foundational text for double bass students. I recommend it to all of my students who are interested in jazz, and I use many of his exercises for arco study and sight reading practice even with students who only study classical music.
We’re also featuring Rufus Reid and bassist Michael Moore performing All Blues from their album Double Bass Delights, as well as some listener feedback, bass news, a link of the week, and much more. Check out more recordings of Rufus in various settings on his website’s recordings page. Enjoy!
We’re featuring something a bit unusual for this week’s Contrabass Conversations episode. Ball State University bass professor and 
We’re concluding our chat with Michigan State University and Interlochen Arts Academy double bass instructor Jack Budrow this week on Contrabass Conversations. In addition to helping place students in major orchestras across the globe, Jack has had a very distinguished performance career as a former member of the Houston Symphony, Santa Fe Opera Orchestra, and as Principal Bass of the North Carolina Symphony.We had a great chat, and I highly encourage listeners to check out part 1 (
We’re changing up the podcast format for today’s show and featuring a group of present and former members of the