382: standing vs. sitting – the double bassist’s dilemma

This episode takes a look at the benefits and drawbacks to seated and standing approaches to playing the double bass.

  • Part 1 – sitting
  • Part 2 – standing
  • Part 3 – transitioning from sitting to standing

We feature highlights from past podcast guests:

Resources to check out:

Check out more “best-of” episodes at contrabassconversations.com/highlights.

Contrabass Conversations is sponsored by:

The Upton Bass String Instrument Company.  Upton’s Bohemian model is not about excess. With its simple lines, Gamba-style cornered and deep booming tone, its form is defined by purpose without ornament. Hand-built, with the same ergonomics and playability found in all of our models, the Bohemian double bass is being offered in four levels of build styles and price points, each carefully designed to meet unique requirements of its owner.

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By Jason

An active double bass performer and teacher, Jason teaches double bass at DePaul University and served on the Board of Directors of the International Society of Bassists for many years. Jason is the current President of the Illinois chapter of the American String Teachers Association. Jason has been a member of the Elgin Symphony since 2000 and has played with the Midsummer’s Music Festival in Door County for the past decade. He is a past member of the Milwaukee Ballet and IRIS Orchestra, and has performed with the Lyric Opera of Chicago, Grant Park Symphony, and numerous other professional ensembles.

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