• DBHQ
  • About
  • Episodes
  • Subscribe
  • Contact
Contrabass Conversations

Contrabass Conversations

double bass podcast

465: Henry Chen on China, Taiwan, and Chicago

I met Henry in Chicago. While in Chicago, Henry spent his time studying with Rob Kassinger and playing principal bass with the Civic Orchestra of Chicago. Fast-forward ten years, and Henry is now teaching at  Soochow University School of Music in Jiangsu, China.  We talk about Henry’s journey from Chicago to China and the steps in between, what it’s like teaching and performing in China, opportunities for bass players looking for an orchestra job, Henry’s teaching style, and much more!

Henry Chen and I go way back.  In fact, I remember meeting Henry at DePaul University over a decade ago!

At that point,  he had not had much orchestral experience, but he was a fabulous solo player who won the concerto competition with the Bottesini Concerto.

Chicago was Henry’s choice because of the orchestral training he knew he’d receive there.  He spent his time studying with Chicago Symphony bassist Rob Kassinger and playing principal bass with the Civic Orchestra of Chicago.

Fast-forward ten years, and Henry is now teaching at  Soochow University School of Music in Jiangsu, China.  We talk about Henry’s journey from Chicago to China and the steps in between, what it’s like teaching and performing in China, opportunities for bass players looking for an orchestra job, Henry’s teaching style, and much more!

Links to check out:

  • Henry’s website
  • Bottesini Concerto PDF and MP3 files (Cliff Colnot arrangement)
  • Franck Sonata with Henry (mvt 1)
  • Franck Sonata with Henry (mvt 4)

Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!

Contrabass Conversations is sponsored by:

Upton Bass String Instrument Company

Upton’s Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.

D’Addario Strings

This episode is brought to you by D’Addario Strings! Check out their Kaplan strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and are great for all kind os styles of music.

Contrabass Conversations production team:

  • Jason Heath, host
  • Michael Cooper and Steve Hinchey, audio editing
  • Mitch Moehring, audio engineer
  • Trevor Jones, publication and promotion

Subscribe to the podcast to get these interviews delivered to you automatically!

http://traffic.libsyn.com/contrabassconversations/Henry20Chen.mp3

464: Volkan Orhon

Volkan Orhon was one of my early podcast guests, appearing along with fellow Bad Boyz of Double Bass members Anthony Stoops, David Murray, and Paul Sharpe. 

I chatted with the Bad Boyz ten years ago (!), and I realized that I’d never actually sat down with Volkan one-on-one for the podcast.

We fix that today!

Volkan had established himself in a professional orchestra in his native country of Turkey.  He had graduated from the Ankara State Conservatory with bass professor Tahir Sumer, and he was already a member of the Ankara Presidential Symphony Orchestra.

Volkan could have stayed in that position long-term.  He took a leap, however, and moved to the United States to study with Gary Karr at The Hartt School of Music.  Working with Gary and also with Diana Gannett, Volkan earned his Master’s Degree and and Artist Diploma.

After Hartt, found himself in a “road warrior” freelance position, teaching adjunct at a few schools and driving all over the place playing gigs.  I know that life well!

Volkan eventually got a tenure-track job at the University of Iowa and is in his sixteenth year of teaching at that institution.  We talk about what it’s like teaching at Iowa, plus:

  • What has been most surprising about being in a full-time academic position.
  • How working with Gary Karr shaped his concept of tone.
  • The challenges of relocating to the United States.
  • What he practices on a daily basis.
  • Advice for students (and their parents!) thinking about embarking on a music career.

…and much more!

Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!

Contrabass Conversations is sponsored by:

Upton Bass String Instrument Company

Upton’s Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.

D’Addario Strings

This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets.

Contrabass Conversations production team:

  • Jason Heath, host
  • Michael Cooper and Steve Hinchey, audio editing
  • Mitch Moehring, audio engineer
  • Trevor Jones, publication and promotion

Subscribe to the podcast to get these interviews delivered to you automatically!

http://traffic.libsyn.com/contrabassconversations/Volkan20Orhon.mp3

462: Posture with Barry Green

Barry Green’s creative output is filled with surprises and unexpected new directions.  The last tie he was on the podcast, we were chatting with Barry and Jeff Bradetich about Anna’s Promise.

An article from Barry just came out in the American String Teachers Association’s journal.  Titled “Chair Factor,” this article is an examination of body energy in playing, and how posture can indicate good or bad body energy.

Continue Reading …

http://traffic.libsyn.com/contrabassconversations/Barry20green.mp3

461: Erik Higgins on chamber music careers

I was first introduced to Erik Higgins by orchestra director and bassist Jonathan Lane.  Jonathan passed along a mesmerizing video of Erik performing an improvised duet with clarinetist Kinan Azmeh. 

This duet is based on a Syrian Folk tune and took place during a live performance with A Far Cry and the Silk Road Ensemble. 

Like New Century Chamber Orchestra bassist Tony Manzo, Erik has carved out a fascinating career for himself as a chamber music bassist.  In addition to performing in A Far Cry, Erik plays regularly with the Handel and Haydn Society, and remains active in the both the modern and period performance scenes locally, nationally and abroad.

Continue Reading …

http://traffic.libsyn.com/contrabassconversations/Erik20Higgins.mp3

460: James Oesi on going for what you believe in

James Oesi is truly blazing new trails for double bassists worldwide.  Originally from South Africa, James spent several years studying in Russia before moving to the Netherlands. 

Over the past decade, James has established a vibrant career for himself as a solo double bassist.  He also founded and hosted the Dutch Double Bass Festival in 2017.

Continue Reading …

http://traffic.libsyn.com/contrabassconversations/James_Oesi.mp3
  • Prev Page...
  • 1
  • …
  • 102
  • 103
  • 104
  • 105
  • 106
  • …
  • 175
  • ...Next Page
Facebook
Twitter
Instagram
YouTube

Copyright © 2026 · Maron Pro Theme on Genesis Framework · WordPress · Log in