Interview Guests – Page 107

366: Rick Jones of Acoustic Image

Rick Jones started Acoustic Image to solve the problem of hauling around a bulky amplifier that artificially colors the acoustic sound of the bass. As an engineer, he came up with unique methods of construction that keep the weight down and eliminate the problem of cabinets changing the sound of the instrument.

Rick had a prototype new amp at the convention and was getting feedback from convention participants. We chat about this prototype, the origins of Acoustic Image, and much more!

Be sure to check out the Acoustic Image Facebook page and check out this post about Martin Wind trying out the latest from the company.

365: Curtis Burris on delightful stories from the orchestra trenches

Curtis Burris has taught bass for many years at the Chautauqua Institution. I was with Kate Jones and ran into Curtis as he was chatting with Virginia Dixon on the streets of Ithaca. Kate is a former student of Curtis, and she set up this interview for the following day.

As it turns out, Curtis and I have a strangely large amount in common. We both:

went to Northwestern
taught at DePaul
played the Lithuanian Opera in Chicago
subbed in the Lyric Opera and Grant Park Symphony
played in Milwaukee (he was in the symphony and I played in the ballet)

Curtis shares a ton of hilarious tales from the orchestra trenches and offers a wonderful perspective on teaching. This conversation was a ton of fun!

364: Gaelen McCormick on Young Bassists and Mastering the Bow

Gaelen McCormick was heading up the Young Bassists Program for the 2017 International Society of Bassists Convention. Gaelen is a past guest on the podcast, and we were able to find a few minutes to chat about her role at the convention as well as her new book Mastering the Bow, Part 3: Studies for Bass.

Check out all three volumes from Gaelen below:

Check out Gaelen’s original podcast interview here.

363: David Neubert on teaching and ISB history

David Neubert was one of the early champions of the International Society of Bassists. He hosted conventions at UT-Austin (1986) and Interlochen (1993).

He was the Principal Bass of the Springfield Symphony (Massachusetts), the Wichita Symphony and recently retired from the Austin Symphony Orchestra. He was a double bass professor at the University of Massachusetts in Amherst, Wichita State University, and The University of Texas at Austin.

We talk about a wide range of topics, including:

David’s early years in Northern California
the accomplishments of former students of his
David’s cross-country career path
the Reinshagen (New Work) and Torello (Philadelphia) schools of playing
David Walter and his Melodious Bass book

362: David Gage talks shop

David Gage opened his shop in 1978 in New York City. He has played an integral role in the double bass world ever since. David has served on the International Society of Bassists board of directors in the past and provides a wide range of products and services for the double bassist.

We chat about many topics, including:

studying with Dave Holland in 1976
working with Chuck Traeger
the origins of the shop
getting into making products and services
being a part of the “bass revolution” over the past few decades