Double bassist and Contrabass Conversations co-host John Grillo recently recorded in the first of a new series of audio programs about the past, present, and future of the professional symphony orchestra. In this first episode, John interviews me about my book Road Warrior Without an Expense Account, which I hope you’ll find interesting. I also recorded a screencast of my Keynote presentation about this book, which I did in Sioux Falls, South Dakota during the summer of 2008. I wrote the blog posts that this book is based upon in early 2007. Enjoy!
The State of the Orchestra – new podcast with John Grillo
CBC 115: Jeremy McCoy interview
We’re featuring the complete recording of our interview with Metropolitan Opera Orchestra Assistant Principal Bass Jeremy McCoy on this week’s Contrabass Conversations episode. Jeremy attended the Curtis Institute and was a member of the National Arts Centre Orchestra of Canada prior to his appointment with the Metropolitan Opera Orchestra. Jeremy and I discuss a wide variety of topics, including his early experiences on the instrument, life in the Met, thoughts on teaching, recording a solo album, and much more. We also feature excerpts from Jeremy’s solo album Dialogues with Double Bass.
CBC 114: Mark Morton interview
We’re featuring an interview with double bassist Mark Morton, who is currently professor of bass at Texas Tech University in Lubbock, TX and has also served as Principal Bass of the Columbus Symphony. Mark was the first prize winner at the International Society of Bassists Solo Competition, and he was the assistant double bass instructor for Gary Karr at the Hartt School of Music. He is well-known for writing and publishing the “Dr. Morton” series of books on the art of bass playing, and he is the founder of the American School of Double Bass.
We talk about double bass technique in great detail during this interview, particularly about Mark’s approach to left hand fingering systems and his Simandl-Plus® system of fingering. I’d recommend downloading Mark’s Simandl-Plus® packet and following along with our discussion to get a more complete idea of how he implements these concepts.
We’re also featuring a track from Haberdashery titled “Malbec” – learn more about this ensemble online at haberdasherymusic.com.
Links: American School of Double Bass, Trios for Deep Voices, Texas Tech School of Music
CBC 113: Lawrence Wolfe interview 2
We’re featuring the second part of our interview with Boston Symphony Assistant Principal Bass Lawrence Wolfe this week on Contrabass Conversations. I had a chance to check out a wonderful master class that Mr. Wolfe did at Northwestern in the fall of 2008, and I did a summary/synopsis of some of the concepts and ideas covered in this class as well. I’m really looking forward to chatting with Larry–he’s one of my favorite bassists, and listening endlessly to his solo record really shaped how I approach the double bass when I was in college.
Larry is one of the most influential bass players in the United States, having taught countless players during his years at New England Conservatory and other Boston academic institutions who are now in major orchestras or pursuing other successful musical endeavors.
We’re also featuring the Gliere Scherzo and Koussevitzky Valse Miniature from Larry’s solo album, both of which you’re really going to enjoy. Larry will be doing a presentation at this summer’s International Society of Bassists convention, which I am definitely looking forward to checking out. Be sure to check out Larry’s website (which he is in the process of revamping – listen to the interview to learn more about this), and stay tuned for tour final segment of this interview very soon!
CBC 112: Max Dimoff interview 2
Contrabass Conversations Co-host John Grillo and I are concluding our interview with Cleveland Orchestra Principal Bass Max Dimoff this week. Before winning his job with the Cleveland Orchestra, Max served as Principal Bass of the San Antonio Symphony and Section Bass for the Grant Park Symphony and Seattle Symphony.
In this second segment of our interview with Max, we cover the use of rhythms in practicing solo and orchestral music, why he finds warm-up exercises useful, standing versus sitting, and audition preparation advice.
Max’s Warm-Ups
Max Dimoff Warm-Up Packet (PDF)
In addition to serving as Principal Bass with the Cleveland Orchestra, Max is on faculty at the Cleveland Institute of Music along with Jeff Bradetich, his former teacher from Northwestern University. Max and Jeff team teach the CIM bass studio in a very interesting arrangement which we discuss during our interview.
Max’s colleague Jeff Bradetich recently appeared on Contrabass Conversations as well. Here are links to Jeff’s interview, which may be interesting to delve into for listeners as well:
More interviews co-hosted by John Grillo:
- Lawrence Hurst – Indiana University
- Barrie Kolstein – Kolstein & Sons
- Jack Budrow – Michigan State
- Owen Lee – Cincinnati Symphony
- Ranaan Meyer – Time for Three
- Dan Krekeler – Metropolitan Opera
Links:
- I Fight Dragons (music heard on this show)
- Jim Goodrich – my co-panelist for the Chicago Music Commission
- International Society of Bassists – convention in June!
- String Emporium – advertiser
- Upton Bass Co. – advertiser
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