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Contrabass Conversations

Contrabass Conversations

double bass podcast

220: Gabe Katz on switching from music performance to education

Double bassist and orchestra director Gabe Katz

Double bassist and orchestra director Gabe Katz

It is my pleasure to present this interview with Gabe Katz.  Gabe and I have had so many commonalities in our career trajectory, and we have both ended up finding a really satisfying musical niche in the world of secondary school orchestral conducting.  Now, by the time you’re listening to this, I will have moved on from this career, but of the past seven years this is what I did, and this is what Gabe has also started doing these last couple of years.

Prior to his current job teaching orchestra at the high school level in suburban Houston, Gabe held two overseas jobs: one in Durbin, South Africa, and one in Guangzhou Orchestra in China.  He also worked in Singapore and in Macao.  He ended up meeting up with Hal Robinson while in China and ultimately moving back to the US to study in Hal’s private studio and take auditions.

We cover the thought process that took him from the performance world into the education world, going back to school at Duquesne in Pittsburgh and his experience taking music education courses at an older age, and the unexpected joys and satisfactions of teaching in the public schools.

Interview Highlights

  • started college at Oberlin with Scott Haigh
  • transferred in undergrad to SUNY Purchase and studied with Tim Cobb
  • MM Carnegie Mellon with Jeff Turner
  • Summer Festivals:
    • principal bass of NRO
    • Music Academy of the West
    • others
  • Manhattan School of Music for Performers Diploma – worked with Tim Cobb again
  • driving all over the place doing freelance gigs, making it to semi-finals for some auditions, but started scouring the Internet for overseas opportunities
  • got an orchestra job in Durbin, South Africa
  • got a job as principal bass of the Guangzhou Orchestra in China
  • also worked in Singapore and Macao
  • meeting up with Hal Robinson while in China and ultimately coming back to the United States to study privately with him
  • was thinking about going back to school – deciding between doctorate or getting certified to teach – postbox programs
  • ended up doing a post baccalaureate program at Duquesne with Steve Benham, who is President-Elect of the American String Teachers Association
  • Gabe’s goal was to get a high school orchestra teaching job
  • Gabe ended up getting a high school orchestra director job in suburban Houston – a plum gig for sure!
  • the high level of high school students in this area – comparable to an undergrad population at many music schools
  • getting into conducting – the high level of satisfaction that results from studying scores, planning rehearsals, picking repertoire
  • Gabe knows that he’s changing lives every day in this new gig – there’s a positivity and excitement to it which he’s feeling that you’ll pick up on as you listen
  • his 20-year-old self would have thought that he was a “sellout”
  • Orin O’Brein: “You’re never done learning.” – music is a journey, a lifelong learning path
  • conducting is a culmination of everything you’ve ever learned (Gabe says this and I totally feel that as well!)
  • how Duquesne keeps its music education program elite
  • The University of Michigan string teaching legacy – Steve Culver, Bob Gillespie, Bob Phillips, Steve Benham
  • most Bachelors of Music programs train you to:
    • A: Work at Starbucks
    • B: Win an orchestra job
  • Hal: “You’re offering yourself as a product.”
http://traffic.libsyn.com/contrabassconversations/CBC_220_-_Gabe_Katz_Interview.mp3

219: Gjorgji Cincievski on arranging, multi-meter, and life in paradise

Malta Philharmonic principal bassist Gjorgji Cincievski

Malta Philharmonic principal bassist Gjorgji Cincievski

Today we’re chatting with Gjorgji Cincievski, who is the principal bass of the Malta Philharmonic and has been putting out some very cool arrangements for Hoffmeister, including an arrangement of Bach’s Goldberg Variations for violin, viola, and double bass.  You’ll be hearing excerpts from this piece on Gjorgji’s new recording throughout the episode, and we have a link in the show notes where you can get a copy of the recording and of the sheet music, as well as several other arrangements by Gjorgji.

Gjorgji will also be hosting the Malta Double Bass Summer Camp from August 22 – 28.  Check out more details about this camp here.

Interview Highlights

  • growing up in Macedonia
  • the polyrhythms that are a part of folksongs in this country
  • life in Malta
  • publications for Hoffmeister
  • trio arrangement of the Goldberg Variations, for violin, viola, and double bass
  • many other arrangement projects on the horizon for Hoffmeister
http://traffic.libsyn.com/contrabassconversations/CBC_219_-_Gjorgji_Cincievski_Interview_v2.mp3

218: Arnold Schnitzer on dirty jobs, ergonomic basses, and maker competitions

Double bass luthier Arnold Schnitzer

Double bass luthier Arnold Schnitzer

Today we feature double bass luthier Arnold Schnitzer.  Arnold has had an interesting career path, from gigging around the East Coast as a youth to entering the corporate world and finally finding his way to the word of instrument repair.  We talk about a wide range of topics, including information versus knowledge, wisdom, and street smarts, and the perils and pitfalls of the information age.

We also dig into Mike Rowe‘s Dirty Jobs (there’s a great interview with him on the Tim Ferriss podcast) – this all starts about 20 minutes into the actual interview – and training people for the jobs that actually exist, and the “in-between” jobs.  This is quite a conversation—be sure to check this out.  There’s a lot of food for thought here.

We also get deep into instrument construction, setup, maker competitions, wolf tones, and the Oberlin Bass Workshop, which Arnold serves on the faculty for and which sounds like a very cool event.  I know that you’re really going to enjoy this conversation with the always interesting Arnold Schnitzer!

Interview Highlights

Early Years

  • born in Miami Beach (South Beach), FL
  • moved up to Far Rockaway, NJ when he was young – dad was in construction
  • dad got them a boat but Arnold and siblings had to figure out money for gas and fix it up
  • his story of getting this Bohemian bass in his late 30s while working corporate recruiting gig and making good money but hating the job and basically just figuring out on his own (consulting people along the way) how to take this old beater bass apart and totally reconstruct it

Information versus Knowledge

  • we talk about information vs. knowledge/wisdom/street smarts – this is an illuminating discussion
  • Arnold is a jazz musician from way back, and he sees instrument repair as a constant improvisation
  • we talk about Mike Rowe of Dirty Jobs (there’s a great interview with him on the Tim Ferriss podcast) – this all starts about 20 minutes into the actual interview
    • alternate paths to going to college for x, y, z – people getting trained for the jobs that actually exist
    • traditional jobs are disappearing
    • the in-between jobs are the ones that aren’t going away – electrician, plumber, instrument repair, air conditioning service – and these can pay really well!
    • training people for jobs that have gone out of vogue
  • being a luthier does involve working with your hands, but it really involves working with your brain – problem solving with your command center

The Future of Employment 

  • looking at predictions of jobs in the future and the rise of the worker less economy, think twice about going to college and racking up $100,000 in student loans
  • musicians are the most conservative people on the planet… especially rock & rollers

Double Bass Setup and Construction

  • ergonomic contrabass – thought it up while on painkillers
  • wolf tones on the bass
    • all basses will have some wolfiness
  • clarity mainly comes from setup rather than construction
    • what brands of strings can help with clarity
    • other adjustments that can be made to help with clarity
  • thoughts on maker competitions – judges are looking at basses through the eyes of the violin world
  • motto of Oberlin Bass Society: “everyone teaches, everyone learns”
http://traffic.libsyn.com/contrabassconversations/CBC_218_-_Arnold_Schnitzer_Interview.mp3

217: Jerry Fuller on early music, creativity, and business world lessons

Double bassist and early music specialist Jerry Fuller

Double bassist and early music specialist Jerry Fuller

Today’s episode features double bassist Jerry Fuller.  I’ve known Jerry for well over a decade at this point and have found him to be such an interesting person.  Jerry is best known in the music world for his work in period performance—in fact, he won an award for historically informed performance from the International Society of Bassists in 2015, and he is also a former ISB board member.

Continue Reading …

http://traffic.libsyn.com/contrabassconversations/CBC_217_-_Jerry_Fuller_Interview.mp3

216: Todd Coolman on jazz bass lines, recording projects, and classical foundations

Jazz double bassist Todd Coolman

Jazz double bassist Todd Coolman

Today’s podcast features an interview with Todd Coolman, who has just released his latest album Collectibles.  Todd is actually playing a CD release event tonight at Smoke Jazz Club in New York City to celebrate the release of the album, which also features Bill Cunliffe on piano and Dennis Mackrel on drums.  This is the second time Todd has appeared on the podcast—you can hear his interview with Win Hinkle in our archives.

Todd and I cover all sorts of interesting topics in this interview, including his experiences moving from a full-time faculty position down to part-time and the opportunities that opens up for him.  We talk about his classical foundation on the bass and dig into classical and jazz crossover and how lessons learned in one genre are valuable in the other.  We also talk about skills the modern music student needs to be successful and what colleges can do to help facilitate this, and we get into details about recording this new album.

If you enjoyed this episode, check out our interviews with Carlos Henriquez, Chuck Israels, Larry Gray, Ron Carter, Lynn Seaton, and Rufus Reid!

http://traffic.libsyn.com/contrabassconversations/CBC_216_-_Todd_Coolman_Round_2.mp3
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