1145: Bowen Ha on his audition process

Bowen Ha joined the San Francisco Symphony at the start of the 2024–25 season after training at Juilliard with Timothy Cobb and Harold Robinson, and appearing as a substitute with major orchestras. Born in Shanghai, Bowen’s path ran from piano to cello and finally to bass, through Interlochen, the Shanghai Conservatory’s affiliated program, and Juilliard.… Continue reading 1145: Bowen Ha on his audition process

1143: Professional Instruments Aren’t Luggage with Valentina Scheldhofen Ciardelli

Valentina Scheldhofen Ciardelli , double bass professor at Trinity Laban Conservatoire of Music and Dance and an active performer/educator, returns to the podcast to talk about a project that goes way beyond the practice room: fixing the chaos of traveling with large instruments. Check out Valentina’s work and latest updates on her website . We… Continue reading 1143: Professional Instruments Aren’t Luggage with Valentina Scheldhofen Ciardelli

1142: Slow Water, Deep Grooves with Stephan Crump

Stephan Crump is a Brooklyn-based bassist, composer, and educator whose work moves fluidly between groove, spacious sound-worlds, and collective improvisation. We dig into the making of Slow Water, the magnetism of deep feel, and how growing up in Memphis—and spending a lot of life near the Mississippi—shaped the way Stephan hears music as ecology, storytelling,… Continue reading 1142: Slow Water, Deep Grooves with Stephan Crump

1141 – Gut Strings and Time Travel – Michal Bylina on Early Music

Michal Bylina is a Polish bassist and composer whose work bridges early music performance and new music for the instrument. In this conversation, Michal shares how a love of the past pulled them toward gut strings, Baroque style, and the Vienna bass tradition, plus the path from studying in Kraków to a year studying in… Continue reading 1141 – Gut Strings and Time Travel – Michal Bylina on Early Music