182: Brent Edmondson on developing a satisfying career, subbing with the Philadelphia Orchestra, and gaps in music school training

Double bassist and arts management expert Brent Edmondson

One of the most enjoyable things about hosting a show like this is that I have the opportunity to connect with people that I find interesting and that are really exploring different directions in the world of the double bass, and Brent Edmondson is a prime example of a person like this. I’ve been following along with Brent for years as he helped Ranaan Meyer to launch the Next Level Journals and Ranaan Meyer Entertainment. He has created a really interesting role for himself in the world of the double bass, subbing with the Philadelphia Orchestra and playing with other top-tier ensembles, but also administering camps like the Wabass Institute, helping Ira Gold to launch his new Orchestral Bowing Workshop, editing Hal Robinson’s publications, and working in roles like personnel manager and operations director for the Pennsylvania Philharmonic.

About Brent:

Double bassist Brent Edmondson is an active performer in the Philadelphia area. Brent currently serves as the principal double bassist of the Lancaster Symphony and the Pennsylvania Philharmonic, and is an A-list substitute with the Philadelphia Orchestra.

He previously held positions with the Beaumont Symphony, Atlantic Symphony, Mercury Orchestra, and Waltham Philharmonic. During the summer, Brent is the double bass instructor at the New York Summer Music Festival. Brent previously performed with the Endless Mountain Music Festival Orchestra. Recent performances include the Philadelphia Orchestra, Philly Pops, Houston Symphony, and other ensembles throughout the country.

Brent received his Masters degree from Boston University with Edwin Barker, principal bass of the Boston Symphony Orchestra. His other teachers include Hal Robinson, principal bass of the Philadelphia Orchestra, Eric Larson of the Houston Symphony, Rob Kesselman of the Philadelphia Orchestra, and Ranaan Meyer of the trio Time for Three.

Brent works in the arts community as Education Director and Music Librarian of the Pennsylvania Philharmonic. He formerly held the position of Operations and Business Manager for Ranaan Meyer Entertainment. He was the Operations Manager of Wabass Institute and Wabass Workshop from 2011 to 2015.

181: Carlos Henriquez on playing with Wynton Marsalis, developing a creative voice, and creating effective Afro-Cuban bass lines

Jazz at Lincoln Center and Wynton Marsalis bassist Carlos Henriquez

We are featuring Carlos Henriquez on today’s show. Carlos has been the bassist for the Wynton Marsalis Septet and the Jazz at Lincoln Center Orchestra for nearly 20 years, and he has just released his first solo album The Bronx Pyramid on Blue Engine Records. You’ll hear clips from the title track before and after the interview, and we have a link to check out the entire album, which I highly recommend, in the show notes. We talk with Carlos about growing up in the Bronx, meeting Wynton, developing Afro-Cuban bass lines, finding your voice, and much more.

Be sure to check out our sponsor Discover Double Bass! Whether you’re looking for lessons on walking bass lines, technical exercises, soloing concepts, or phrasing with the bow, Discover Double Bass has helpful resources to get you to the next level in your craft. You can check out over 70 free lessons and much more at discoverdoublebass.com.

About Carlos:

Carlos Henriquez was born in 1979 in the Bronx, New York. He studied music at a young age, played guitar through junior high school and took up the bass while enrolled in The Juilliard School’s Music Advancement Program. He entered LaGuardia High School of Music & Arts and Performing Arts and was involved with the LaGuardia Concert Jazz Ensemble which went on to win first place in Jazz at Lincoln Center’s Essentially Ellington High School Jazz Band Competition and Festival in 1996.

In 1998, swiftly after high school, Henriquez joined the Wynton Marsalis Septet and the Jazz at Lincoln Center Orchestra, touring the world and featured on more than 25 albums. Henriquez has performed with artists including Chucho Valdes, Paco De Lucia, Tito Puente, the Marsalis Family, Willie Nelson, Bob Dylan, Stevie Wonder, Lenny Kravitz, Marc Anthony, and many others. He has been a member of the music faculty at Northwestern University School of Music since 2008, and was music director of the Jazz at Lincoln Center Orchestra’s cultural exchange with the Cuban Institute of Music with Chucho Valdes in 2010.

180: Ian Hallas on winning a Lyric Opera bass section spot, effective excerpt practicing, and routines for audition success

Ian Hallas is the newest member of the Lyric Opera of Chicago double bass section

Today’s guest is Ian Hallas, the newest member of the double bass section of the Lyric Opera of Chicago. Ian successfully auditioned for Lyric in January of 2016 and joins a section with former Contrabass Conversations guests Greg Sarchet and Andrew Anderson. Ian studied with Paul Ellison at Rice University and David Allen Moore at the University of Southern California. Ian also happens to be a former student of mine!

We talk through the audition process for Lyric (number of rounds, the audition list, what he played in particular rounds), his routine in the days, weeks, and months approaching an audition, his previous auditions taken, books that have shaped his audition preparation, and advice for people embarking upon the audition trail. Enjoy!

179: Douglas Mapp on successful freelancing, life as a jazz bass professor, and ISB insider insight

International Society of Bassists president Douglas Mapp

We are featuring Douglas Mapp on today’s episode. Douglas is the current president of the International Society of Bassists and is also on faculty at Rowan University, where he is professor of jazz studies and teaches double bass. He is also extremely active as a performer, serving as principal bassist of the Reading Symphony and Assistant Principal of the Delaware Symphony and he performs regularly with some of the regions premiere ensembles including the Pennsylvania Ballet, the Philly Pops, Harrisburg Symphony, and several other groups in the area.

Douglas and I had a great chat about a wide variety of topics, including the realities of making a living as a freelancer, what makes the International Society of Bassists conventions so special, and his company douglasmappmusic, which has for 20 years been providing piano parts written in keys that fit with standard orchestral tuning. Enjoy!

About Douglas:

Bassist Douglas Mapp is at home in many styles of music ranging from classical to jazz and Broadway to contemporary classical. The list of artists that he has performed, recorded and toured with includes Philip Glass, Michael Nyman, Donnie McClurkin, Richard Smallwood, Natalie Cole, Randy Brecker, Sean Jones, Ernie Watts, Lana Del Rey, Earth Wind and Fire, R Kelly, and Jeff Majors.

He is the principal bassist of the Reading Symphony and Assistant Principal of the Delaware Symphony. He performs regularly with some of the regions premiere ensembles including the Pennsylvania Ballet, the Philly Pops, Harrisburg Symphony, and has a twenty-year tenure with the Philadelphia based new music ensemble Relâche. He has performed as substitute bassist with the Philadelphia Orchestra both at home and on tour. He has performed as a soloist with many of the groups with which he performs, including his spring 2015 performance of the Bottesin Grand Duo Concertante with the Reading Symphony.

His publishing company, Douglas Mapp Music has been helping bassists to solve the age-old dilemma of solo versus orchestra tuning for over twenty years with piano parts written in keys that fit with standard orchestral tuning. He is president-elect of the International Society of Bassists and will chair the 2015 ISB convention at Colorado State University.

Mr. Mapp is a graduate of the University of the Arts and Temple University where his primary teachers were Neil Courtney and John Hood.

Crazy Gig Stories!

We are featuring a series of crazy gig stories that I had recorded in the first phase of the podcast. I had a total blast doing these back in the day and hope to do more of these in the near future.

You’ll be hearing four of my own stories on this episode:

The last story is from podcast guest David Cardon, a fellow bassist from my time at Northwestern University. He’s a cool guy and incredibly funny, and I think that you’ll really enjoy this tale from him!