Contrabass Conversations

Contrabass Conversations

double bass podcast

1029: Jordyn Davis on Compose the Way

Jordyn Davis, a multi-talented bassist, composer, singer-songwriter, and multi-instrumentalist from Detroit, MI, is the first African-American woman to earn a Bachelor’s Degree in Music Composition from Michigan State University.

She also earned a Master’s in Jazz Studies from the same university. In 2021, after moving to Brooklyn, NY, she was honored as one of the inaugural Jazz Leader Fellowship recipients by the Brooklyn Conservatory of Music. Recently, she has worked on the Tony-Winning Broadway Musical “New York, New York: A new musical and had a residency at Brown University collaborating with Craig Harris & the contemporary dance company Urban Bush Women.

We talk about her journey into bass, studies with Rodney Whittaker, life in New York City, and much more. Enjoy, and be sure to follow along with her work on her website, Facebook, and Instagram!

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

Thank you to our sponsor!

Dorico – This podcast episode is sponsored by Dorico: the next-generation music notation software from Steinberg, that’s packed with smart, time-saving features to help you spend less time in front of your computer and more time doing what you love: making music.

The latest version of Dorico 5, includes Iconica Sketch, a new orchestral sound library, bringing more expressive playback, and making it easy to produce more life-like performances with a dynamic stereo soundstage. Try Dorico Now For 60 Days For Free: visit dorico.com

1028: Jacob Warren on his Debussy Cello Sonata transcription

Jacob Warren has just released his transcription of the Debussy Cello Sonata, which was the main piece on his competition-winning program at the 2023 International Society of Bassists Convention.  This transcription is a notable new addition to the double bass repertoire and a great opportunity to explore the music of this great composer.

We talk about the history of this piece as well as the challenges and solutions for mapping this piece out on the bass.  We also listen to several selections of Jacob’s new recording of this work and break down the specifics of these sections.

Jacob’s transcription is available in our store here.

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

Thank you to our sponsor!

Dorico – This podcast episode is sponsored by Dorico: the next-generation music notation software from Steinberg, that’s packed with smart, time-saving features to help you spend less time in front of your computer and more time doing what you love: making music.

The latest version of Dorico 5, includes Iconica Sketch, a new orchestral sound library, bringing more expressive playback, and making it easy to produce more life-like performances with a dynamic stereo soundstage. Try Dorico Now For 60 Days For Free: visit dorico.com

1027: Mark Foley on his Double Bass Concerto

Dr. Mark Foley is Professor of Double Bass and Electric Bass at Wichita State University is the Principal Double Bass for the Wichita Symphony Orchestra. He’s also a key figure in Wichita’s jazz scene, collaborating with local and national artists, and has performed as a concerto soloist. Mark also engages in rock gigs, bluegrass sessions at the Walnut Valley Music Festival, and creates records and live electronic music as a composer.

Mark recently premiered his Little Wichita Concerto for Double Bass and Chamber Orchestra with the Wichita State Symphony Orchestra. We talk about Mark’s background, getting into composition, what it was like writing this piece, and much more. Enjoy, and check out this great local news clip about the piece with Mark Foley and his WSU colleague Mark Laycock!

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

Thank you to our sponsors!

Dorico – This podcast episode is sponsored by Dorico: the next-generation music notation software from Steinberg, that’s packed with smart, time-saving features to help you spend less time in front of your computer and more time doing what you love: making music.

The latest version of Dorico 5, includes Iconica Sketch, a new orchestral sound library, bringing more expressive playback, and making it easy to produce more life-like performances with a dynamic stereo soundstage. Try Dorico Now For 60 Days For Free: visit dorico.com

1026: The Only Girl in the Orchestra

In this episode, we delve into The Only Girl in the Orchestra, a new documentary directed by Molly O’Brien about the life and career of trailblazer Orin O’Brien, the first female musician in the New York Philharmonic. Despite the spotlight her unique position brought, Orin always preferred playing a supporting role to her family, students, friends, and colleagues.

Jason and Molly are joined by editor Monique Zavistovski to discuss this remarkable profile of one of the double bassist’s major figures. Watch the documentary on Netflix.

Learn more about this documentary on their website, and learn more about Molly, Monique, and all of the other collaborators here.

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

Thank you to our sponsor, Dorico

This podcast episode is sponsored by Dorico, the next-generation music notation software from Steinberg that’s packed with smart, time-saving features to help you spend less time in front of your computer and more time doing what you love: making music.

The latest version of Dorico 5 includes Iconica Sketch, a new orchestral sound library, bringing more expressive playback and making it easy to produce more life-like performances with a dynamic stereo soundstage. Try Dorico Now For 60 Days For Free: visit dorico.com.

1025: Michael Bates on Lutoslawski

Michael Bates recently released an album titled Metamorphosis: Variations on Lutoskawski. This album contains Michael’s arrangements and is based on arrangements of the composer Witold Lutoslawski, with music for clarinet, violin, bassoon, double bass, drums, plus string quartet. It’s a hybrid of jazz, classical, and improvisation and is a wild ride of styles and textures.

We talk about the genesis of this idea, what it was like traveling to Poland to record this album, plans or touring with this ensemble, future projects with the Lutoslawski quartet, and more.

Check out the promo for this project on YouTube, give the album a listen on Spotify and Apple Music, and follow along with Michael’s inspiring work on Instagram!

Subscribe to the podcast to get these interviews delivered to you automatically!

Connect with us:

Time Stamps

00:00 Introduction and Album Promotion

00:08 Discussing Michael Bates’ New Album

01:02 Catching Up with Michael Bates

01:16 Exploring Lutoslavsky’s Music

04:03 The Making of the Album

09:55 Sponsor Shoutout: Carnegie Mellon University

12:05 Deep Dive into Lutoslavsky’s Music

16:32 The Composing Process

22:51 Finding Inspiration in the Backyard

23:31 The Art of Balancing Work and Rest

24:19 The Challenges of Being an Early Riser in the Music Industry

25:19 The Ideal Environment for Writing Music

26:22 Drawing Inspiration from Ludo Slavsky

26:43 The Journey of Creating the Album

31:03 The Influence of Polish Musicians and Culture

34:25 Future Projects and Plans

36:48 The Role of Instruments in Music Creation

42:03 The Power of Podcasts in Connecting Musicians

42:52 Wrapping Up and Looking Forward