Contrabass Conversations

Contrabass Conversations

double bass podcast

1060: Mastering Auditions Through Technique and Intonation with Daniel Chiva Sanz

In this episode, Daniel Chiva Sanz shares his journey of mastering musical auditions by focusing on technical precision and intonation. Two years ago, after a failed audition at the Seattle Symphony, he realized that his practice method needed restructuring. The result is ‘The School of Patience,’ an exercise series that develops the intonational security required to develop a professional level of playing and win auditions.

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Upton Bass – From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

1055: Audition prep with Brendan Fitzgerald

Join Brendan Fitzgerald, Assistant Principal Double Bass for the St. Louis Symphony Orchestra, as he shares his comprehensive approach to preparing for and succeeding in orchestra auditions. From practicing at half tempo and balancing practice with a full-time job, to managing nerves with beta blockers, Brendan covers all aspects of his preparation process. Learn how to handle the audition day, manage your workload, and ensure your best performance under pressure. Don’t miss his key takeaways for musicians looking to secure a professional orchestra position.

Check out Brendan’s past podcast appearance here as well as his appearance on Ryan Beach’s podcast.

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Thank you to our sponsors!

Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it’s the best bass rosin available. It’s appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance.  Learn more about Upton’s rosin, basses, and more at uptonbass.com.

Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.

992: Sean O’Hara on long-term progress

Sean O’Hara recently won an audition for a double bass section position in the Fort Worth Symphony.  In this episode, we talk about Sean’s journey from the San Francisco Bay area to UCLA to study with Chris Hanulik, his time working with Brian Johnson at Cal State Fullerton, his with studying with Tim Pitts at Rice University, lessons learned after 33 auditions, getting into traditional Irish, music, and much more.  Enjoy!

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Thank you to our sponsor, Dorico! It is my favorite software for music notation and composition. Designed for MacOS, iPad, and Windows, Dorico’s workflow allows you to spend more time making music. Download Dorico 5, their free iPad app, or their free version (forever), Dorico SE 5. 

Get Dorico: https://www.steinberg.net/dorico/

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Check out my Beginner’s Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.

755: Jeremy Watt on pandemic projects and auditioning later in life

Originally from Australia, Jeremy Watt spent 16 years freelancing through the UK and Europe, including stints as guest principal in Spanish, Norwegian and UK orchestras. Jeremy worked extensively with the UK’s finest ensembles, including the Philharmonia and London Symphony Orchestras.  In 2018, Jeremy obtained a permanent position with the City of Birmingham Symphony Orchestra.

During the pandemic, Jeremy carved out time from his frenetic schedule of pandemic-induced childcare to record himself playing all the parts of Colin Brumby’s Suite for Four Basses.  This turned out to be a surprisingly satisfying musical outlet for him.

We talk about this pandemic project, Jeremy’s background, the twists and turns of his career, what it’s like auditioning after 16 years of freelancing, and much more.

Enjoy, and be sure to check out Jeremy’s website and his recording of the Brumby Suite!

Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!

Check out my Beginner’s Classical Bass course, available exclusively from Discover Double Bass!

Thank you to our sponsors!

Dorico – Dorico helps you to write music notation, automatically producing printed results of exceptional quality — and plays it back with breathtaking realism. It is easy enough for anyone to learn, yet has hundreds of advanced notations, features, options and sounds to satisfy even the most demanding professionals.  With its streamlined, natural user interface, students and those with less experience in scoring can compose and arrange straight into Dorico, making learning the language of music notation much faster and more intuitive. Editing and making changes — such as instrument, time signature or key — are straightforward, with the notation instantly and correctly adapting to include them, reinforcing the learning outcome.

Ear Trumpet Labs – They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design — the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It’s durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine!

Practizma – The Practizma practice journal is packed with research based strategies to turn your ho-hum practice into extraordinary practice.  Develop your curiosity, discipline, creativity, daring, tenacity and zen.  Take a journey with four elements each week: goal setting, reflection prompt, action challenge, and journal pages to track your practice.  Curious? Download the introductory chapter of the journal for free – this gives you an idea of what it’s all about. 

Modacity – Are you a practice-savvy musician? Get Modacity – the music practice app that organizes, focuses, and tracks your progress.  Recorder… metronome… tone generator… timer… note taking… Do away with the random assortment of music practice apps in your arsenal. Modacity™ combines all the tools you need into one easy to use, music practice tool.  Organize, focus, and reflect on your practice – motivating you to increase retention in less time.  Modacity has a special offer for Contrabass Conversations listeners that includes lifetime access to the app.

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